Studio of Imaginative Photography 2
Předmět není vypsán Nerozvrhuje se
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
307ESIP2 | ZK | 4 | 24CS | anglicky | letní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Výsledky učení dané vzdělávací složky
After completing the course, the student gains comprehensive knowledge and experience in the creation of original exhibition projects. The requirements for their scope and quality, the ratio of guidance by the teacher and independent work, are based on the particular semester that the student is currently studying. The listener is able to reflect on his/her work in a written explication, which prepares him/her for the defense of the final thesis. In the term paper, the student practices his/her presentation skills, teamwork, authenticity of authorship, and the ability to organize a topic into a book format. Emphasis is placed on the thought background, sensibility, and authentic individual creative attitude of each student.
Forma studia
in person
Předpoklady a další požadavky
-
Obsah kurzu
The imaginative photography studio works across the spectrum of genres and expressions. It is a synthesis of visual and conceptual thinking, artistic, documentary, multimedia or other approaches. The boundaries between different types of communication are programmatically nullified here - this is in order to accentuate the message itself.
The Imaginative Studio creates a creative space for students working across the photographic spectrum. Here, knowledge of the photographic craft creates a solid base for the extension of autonomous pictorial self-expression.
The keywords of the Imaginative Photography Studio are:
- Authenticity
- Individuality
- Personality
- Synthesis
Main themes
1 - 2/ assigning a theme for the studio exercise, specifying the programme (studio visits, exhibitions, inviting guests, additional modules and workshops
3/ collaborative discussion of the topic - results of own research as directed by the studio leader
4 - 6/ individual and joint consultation of exhibition projects - conceptual proposals, conception, consultation of the process
7-8/ additional studio activities according to the assignment from the beginning of the semester
9 - 10/ individual and joint consultation of projects in process, reflection, critical analysis, discussion, inspirational suggestions
11/ realization of the exhibition project and book - proofreading of the final form, ways of solving technical difficulties
12/ post-production, printing, adjustment, test installation
Doporučená nebo povinná literatura
Required:
Alberro, Alexander, Sabeth Buchmann: Art After Conceptual Art, MIT Press,
Cambridge and London, 2006
Fried Michael: Why Photography Matters as Art as Never Before, Yale University
Press, New Haven 2008
Bourriaud, Nicolas: Relational Aesthetics, Dijon: Les presses du réel, 2002
Cotton Charlotte: The Photography as Contemporary Art, London, Thames
Hudson, 2004
Wells, Liz: The Photography Cultures Reader: Representation, Agency and Identity, London: Routledge, 2019
Recommended:
Aranda, Julieta; Wood, Brian Kuan; Vidokle, Anton (ed.): E-flux journal, What is Contemporary Art?, Berlin: Sternberg Press, 2010
Kuc, Kamila; Zylinska, Joanna (ed.): Photomediations: A Reader, 2016
Statzer, Mary (ed.): The Photographic Object 1970, Oakland: University of California Press, 2016
Dekker, Annet: Curating digital art: From presenting and collecting digital art to networked co-curation, Amsterdam: Valiz, 2021
Hodnoticí metody a kritéria
Completion of a studio exercise - a book on a given topic, realization of an exhibition project, development of general knowledge of the history of art and photography and the theory of contemporary visual art, development of analytical reflection skills
Poznámka
-
Další informace
Pro tento předmět se rozvrh nepřipravuje
Předmět je součástí následujících studijních plánů
- Fotografie EN - bakalář - 2022 (povinně volitelný předmět)