The Language of Cinema 2
Předmět není vypsán Nerozvrhuje se
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
311LOC2 | Z | 3 | 4T | anglicky | letní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Výsledky učení dané vzdělávací složky
General Expectations: learn to...
work collaboratively
develop clear communication skills, using appropriate film terms
constructively critique your peers
work respectfully, responsibly, and safely
manage emotionally demanding situations (your own and others)
Pre-Production: learn the basics of…
script break down and interpreting dramatic material (scene study and analysis)
creating storyboards and shot lists (visual storytelling skills)
staging, blocking, and camera movement
continuity
location scouting
creating shot lists and schedules
Production: learn to...
communicate your vision to all collaborators, including the subtext of each scene
manage a set by assigning tasks to each crew member
edit while you shoot (using dailies to build on performances)
Forma studia
lectures + practical classes
Předpoklady a další požadavky
-
Obsah kurzu
This course will focus on mastering the basics of film grammar, with an emphasis on visually translating scripted ideas into short, narrative exercises, to be shot with a cell phone. Working in small groups, students must complete weekly assignments, with strict guidelines. Through workshops, film exercises, classroom discussions, additional assignments, and watching short clips, this class will explore the role of the director and supporting crew members through concept, pre-production, and production.
1.1 The Long Take
1.2 Long Take Exercise
2.1 Four People at a Table
2.2 Four People at a Table Exercise
3.1 Improvisation: acting and camera
3.2 Improvisation Exercise
4.1 Directing for the Edit
4.2 Directing for the Edit Exercise
5.1 Narrative Pacing
5.2 Narrative Pacing Exercise
6.1 The Wide Shot
6.2 Wide Shot Exercise
7.1 Using the Close-up and Inserts
7.2 Using the Close-up and Inserts Exercise
8.1 The Moving Camera
8.2 The Moving Camera Exercise
9.1 Blocking Styles
9.2 Blocking Styles Exercise
10.1 Using Colors
10.2 Using Colors Exercise
11.1 Using Locations and Set Design
11.2 Using Locations and Set Design Exercise
12.1 Using Frame Ratios and Frames per Second
12.2 Using the Frame Exercise
Doporučená nebo povinná literatura
Film Directing Fundamentals (3rd Edition, 2001), by Nicholas Proferes
On Directing Film (1991), by David Mamet
On Directing (2009), Elia Kazan
Making Movies (1995) Sidney Lumet
Film Directing Shot by Shot (1991), Steven D. Katz
Grammar of the Film Language (1976), Daniel Arijon
Moviemakers' Master Class (2002), Laurent Tirard
Hodnoticí metody a kritéria
Students should attend all classes and complete all necessary assignments and homework.
Basis for Final Grade:
Attendance and participation 30%
Film Exercises 50%
Additional assignments 20%
Participation:
The in-class directing exercises will be done in class, using smart phones or cameras, and then dicussed as a group. Students will be asked to participate fully in this classroom / studio setting. Sometimes this will mean performing live edits or serving in other production capacities; other times this will mean acting on camera or simply sitting in for an exercise.
Attendance / Deadlines:
If a student misses a class, it is the student’s responsibility to obtain any handouts or lecture notes from the class’s online resource: a password protected blog that will be updated, weekly, with all relevant materials, including digital copies of all handouts. If students still have questions, they must wait until after class to schedule a meeting or discuss. Class time is reserved strictly for lectures, in class exercises, screenings, and discussion.
Poznámka
Lecturer: Martin Schumet
martin.schumet@gmx.at
Další informace
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