History of Music of 20th Century 1
Code | Completion | Credits | Range | Language Instruction | Semester |
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107DHD1 | Z | 3 | 1+1/T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
This is an obligatory course in the second year of bachelor's study. It is designed as a two-semesters of instruction. The condition for taking the course is the completion of History of Music in the first year of study. Credit and exam grades for this course will be through a written exam on the lecture material from both semesters.
Mode of study
Lecture, sample analysis from selected media recordings (CD, DVD, etc,) sending study texts to individual students.
Prerequisites and co-requisites
Completion of DTH 1 and DTH 2.
Course contents
Presentation of the history of 20th century music with a presentation of music of the second half of the 19th century, from the period of New Romantic and impressionism to the turn of the century. This focuses on a presentation of an integrated topic range and new approach to individual artistic figures. It is divided into music of the first half of the 20th century and the post-war development in detail.
The presentation is supplemented as needed with sound or audio-visual samples.
History of 20th Century Music content - topic range:
Winter semester:
- Principles of peak and later romanitc music - genesis of innovative composition approaches: F. Liszt, R. Wagner, A. Bruckner, J. Brahms
- Figures - G. Mahler, R. Strauss, A. Skrjabin
- Czech late romantic
- Music Impressionism (C. Debussy)
- Neoclassicism - French music at the turn of the century
- Musical Expressionism, neo-folkorism
- Beginnings of the artistic avant garde
- Figures - B. Martinů, L. Janáček, Bela Bartok, P. Hindemith
- Inter-war music
- Second Viennese School
- Paris and I. Stravinsky
Schoenberg vs. Stravinsky
Summer semester:
- Music after 1945 - double music: West and East
- Mysticism and rationality - O. Messiaen
- Darmstadt (Boulez, Nono, Stockhausen)
- Global time B.A. Zimmermann
- Light and Shadow - L. Berio
- Figures: L. Xenakise and H.F. Lachemann
- Music of the East and Czech music
- Alfred Schnittke and poly-stylism
- Music in the service of Religion (G. Ustovolskaya, S. Gubajdulina)
- Despising and humility - Arvo Paert
- Figure: G. Ligeti and G. Kurtaga
- Music and Freedom: Polish defiance - W. Lutoslawski, K. Penderecki, H.M. Gorecki
- Music of Bohemia, Moravia and Slovakia (P. Eben, J. Hanuš, K. Slavický, etc.)
- Long-term waiting: M. Kopelent and other Czech figures, composition tendencies.
Recommended or required reading
Abraham, Gerald: Stručné dejiny hudby. Bratislava 2003 ( - překlad z angl.)
Bek, Josef: Světová hudba 20. století. Praha 1968.
Busoni, Ferruccio: Návrh nové estetiky hudebního umění in: Konserva. Na hudbu 2001/12,
s. 241 – 297 (reprint 1. českého překladu z časopisu Rytmus 1939/40, č. 2 – 10).
Černý, Miloslav K.: Nástin vývovoje symfonie od počátku do poloviny 20.století, Olomouc 2002.
Čeští skladatelé současnosti. Praha 1985.
Dibelius, Ulrich: Moderne Musik: I. 1945 – 1965. Mainz 1988
II. 1965 – 1985. Mainz 1991.
Holzknecht, Václav: Claude Debussy. Praha 1958.
Holzknecht, Václav: Hudební skupina Mánesa. Praha 1969.
Hradecký, Emil: Paul Hindemith. Svár teorie s praxí.
Hrčková a kol.: Dějiny hudby, díl VI., 20. století. Praha 2006.
Lébl, Vladimír: Csty moderní opery. Praha 1961.
Navrátil, Miloslav: Dějiny hudby. Ostrava 1996.
Smolka, Jaroslav a kolektiv: Dějiny hudby. Praga, Togga 2001.
Smolka, Jaroslav: Dějiny hudby jako vědní obor a jejich periodizace, Scripta HAMU, Praha 1990.
Spurný, Lubomír: Heinrich Schenker, dávný neznámý. Olomouc 2000.
Šeda, Jaroslav: Česká hudba 1945 – 1980 in Hudební věda 1981, č. 3 s. 195 – 236.
Štědroň, Miloš: Leoš Janáček a hudba 20. století. Brno 1998.
Štěpánek, Vladimír: Francouzská moderní hudba. Praha 1967.
Vysloužil, Jiří: Hudobníci 20. storočia. Bratislava 1964.
Assessment methods and criteria
Mastery of the lecture material based on knowledge from lecture and independent text study.
Range of questions for the credit and exam will be available at the end of both semesters.
Note
none
Schedule for winter semester 2021/2022:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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Thu | 09:00–10:30 | Jiřina MAREŠOVÁ | classroom Hartig Palace |
lecture parallel1 |
Schedule for summer semester 2021/2022:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Choreography (Bc) (required subject with the possibility of repeat registration)
- Dance Pedagogy (Bc) (required subject with the possibility of repeat registration)
- Dance Pedagogy (Bc) - Classical Dance (required subject with the possibility of repeat registration)
- Dance Pedagogy (Bc) - Modern Dance (required subject with the possibility of repeat registration)
- Dance Pedagogy (Bc) - Folk Dance (required subject with the possibility of repeat registration)
- Dance Theory (Bc) (required subject with the possibility of repeat registration)