Dance Interpretation Practice 1
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
107INP1 | Z | 2 | 2T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The aim is to enable a deeper penetration into the area of so called historic dance from a practical point of view. To acquire an ability to dance well, interpret taught choreographis of social dances of the previous century. To recognize the relationship of dance and music in the aspect of rhythm, tempo and dynamics. To be aware of the relationship between movement technique, dance style and dance content. To acquire a knowledge of the interpretation of dance notation.
Mode of study
Practice classes in which the students learn to master a given dance repertoire according to practice with the instructor and their own notation resource research. The students learn to distinguish movment styles of a given dance from a certain period, analyse the movement, rhythm and character aspects.
Prerequisites and co-requisites
Good physical condition. Movement coordination. Musicality. Theory knowledge from history lectures. (ex: Introduction to the History of Dance and Ballet 1 and 2.)
Course contents
Dance of the French Renaissance - terminology and fundamental steps from Orchesographie Thoinot Arbeau. Reverance, double, simple, branle, reprise, cinq pas de galliarde, galliard variations. Basse danse, tourdin, pavane, dalliarde, branles. Notation issues. Ikonography study.
Dance of the Italian Renaissance - terminology and fundamental steps according to the Italian books of F. Caros and C. Negri. Selection of dance for performance, for example: Villanella, Bizzaria d' amore, Ardente sole, Spagnoletta. Notation issues and ikonography study.
Recommended or required reading
Kröschlová, Eva: Dobové tance 16. až 19. století. SPN Praha 1981
Rumlová, Gabriela: Historické tance XV. až XVII. století. SPN Praha 1981
Van Winkle Keller, Kate-Shimer, Genevieve: The Playford Ball. The Country
Dance and the Society. London 1990
Taubert, Karl Heinz: Höfische Tänze. Ihre Geschichte und Choreographie.
Mainz 1968
Wood, Melusine: Historical Dances 12th to 19th Century. C.W. Beaumont
London 1952
Assessment methods and criteria
Condtions for credit are: class participation, preparations at home related to reviewing the material and study of trade literature. Presentation of the studied dances before and audience.
Note
This course may be repeated. In the 2010/2011 academic year this course is not instructed.
Further information
Course may be repeated
Schedule for winter semester 2021/2022:
The schedule has not yet been prepared
Schedule for summer semester 2021/2022:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Choreography (Bc) (optional subject)
- Choreography (Mg) (optional subject)
- Dance Pedagogy (BA - part time) Classical Dance (optional subject)
- Dance Pedagogy (BA - part time) Folk Dance (optional subject)
- Dance Pedagogy (BA - part time) Modern and Contemporary Dance (optional subject)
- Dance Pedagogy (BA - part time) Dance Education (optional subject)
- Dance Pedagogy (Bc) (optional subject)
- Dance Pedagogy (Bc) - Classical Dance (optional subject)
- Dance Pedagogy (Bc) - Modern Dance (optional subject)
- Dance Pedagogy (Bc) - Folk Dance (optional subject)
- Dance Pedagogy (Mg) (optional subject)
- Dance Pedagogy (Mg) - Classical Dance (optional subject)
- Dance Pedagogy (Mg) - Contemporary Dance (optional subject)
- Dance Pedagogy (Mg) - Folk Dance (optional subject)
- Dance Theory (Bc) (optional subject)
- Dance Theory (Mg) (optional subject)