Authorial Presentation 2
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 202EAB2 | ZK | 2 | 2T | English | winter |
Subject guarantor
Name of lecturer(s)
Eva ČECHOVÁ, Michal ČUNDERLE, Hana MALANÍKOVÁ, Michaela RAISOVÁ, Přemysl RUT, Eva SLAVÍKOVÁ
Learning outcomes of the course unit
Integration of skills and experiences acquired during study in individual courses to a communicative persuasive stage form.
Mode of study
Beginning in the Winter semester of the second year each student in the Dept is obliged to prepare for the summary exam, twice a year, a small, cca. 10min. solo presentation of their own subjet matter. At the end of the Summer semester of the third year it is presented as part of the independent graduation performance of at least 45min. Without the orginal graduation performance it is not possible to sit the final exam.
Prerequisites and co-requisites
Students must select an advisor among the dept. instructors for the original work presentation preparations who will have no ideas in the directing or writing of the screenplay.
Course contents
Screenplay preparations, exams, consultations and performance.
Recommended or required reading
The original presentation is independent which excludes the use of literature, citations and texts by others for the topic.
Brook, Peter: The Empty Space. New York: Simon and Schuster, 1996.
Donnellan, Declan: The Actor and the Target. London: Nick Hern Books, 2005.
Eichenbaum, Boris and Beth, Paul and Nesbitt, Muriel: The Structure of Gogol's „The Overcoat“, The Russian Review, Vol. 22, No. 4 (Oct., 1963), pp. 377–399.
Esslin, Martin: The Theatre of the Absurd. New York: Anchor Books, 1969.
Frisch, Max: Sketchbook, 1946–1949. New York; London: Harcourt Brace Jovanovich, 1977.
Jung, Carl Gustav: Psychological Types. Great Britain: Tylor and Francis Ltd., 2016.
Vyskočil, Ivan and company: (Inter)acting with the inner partner. (Edited by Michal Čunderle and Alex Komlosi), Czech translated by Alexander Komlosi. Praha: Brkola, 2011.
Assessment methods and criteria
Idea (subject) originality, dramaturgy work on it, movement, voice and speech performance, communicability of theatre devices and uniqueness of original expression are assessed.
Schedule for winter semester 2021/2022:
The schedule has not yet been prepared
Schedule for summer semester 2021/2022:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Authorial Acting in English (B.A.) (required main subject)
- Authorial Acting in English (B.A.) (required main subject)