Masterclass Sheyla Hayman: Technology and the Human
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
303MMSHT | Z | 1 | 4SS | English | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
expanding knowledge about important personalities of British documentary cinematography
Mode of study
modular teaching KDT FAMU
Lecturer: Sheila Hayman (coordinator BcA. Petr Salaba, petr.salaba@gmail.com)
Date and time: Monday 25/4 2022 at Screening Room FAMU (Lažanský palác) 14:15-18:00
Assignement: 100% participation + seminar activity
Capacity: maximum 40
Optional for: FAMU
Language of teaching: english
Prerequisites and co-requisites
none
Course contents
Sheila Hayman is a British-born, BAFTA-winning producer/director of documentary films and digital media. Her interest is in the relationship between people and technology; she made her first film about robots in 1985, and later „The Electronic Frontier“ for the BBC and Nova, which introduced the world in 1993 to the coming digital revolution and its implications - including search engines, rise of social communities, DeepFakes - all that thirteen years before the iPhone. She is currently a Director’s Fellow at the MIT Media Lab. In her work she is looking at embodied human intelligence and the effects of virtualization on our emotional, physical and cultural health.
In parallel with her filmmaking work, Sheila Hayman has created and facilitated Write to Life, the therapeutic creative writing group at Freedom from Torture NGO, helping refugees and survivors of torture to rebuild their lives and identities through writing and performing their work. Write to Life members have written a play, an immersive musical narrative, multimedia performances, and site-specific live performances in collaboration with both Tate Galleries and major London arts venues. As the group pivots towards being survivor-led, their latest production is a series of Zines, hand-made booklets of writing illustrated with collages and physically made by the group together.
The Masterclass will have two parts:
Monday 25/4 2022 at Screening Room FAMU (Lažanský palác)
14:15 - 15:45
Technology, artificial intelligence and embodiment
We will look at parts of the film The Electronic Frontier as a case study of a prescient documentary that asked “What would the world look like if information was money and who would be running it?” already in 1993. We will also discuss the effects of digital technologies on our emotions and bodies.
16:00 - 18:00
Discussion: Organizing creative writing workshops as a trauma therapy
We will discuss basic principles of facilitating survivor-led creative activities with the focus on rebuilding a sense of belonging and re-connection with oneself.
Recommended or required reading
https://www.theguardian.com/profile/sheila-hayman
https://www.media.mit.edu/people/shayman/overview/
https://www.youtube.com/watch?v=5ONE1vliwCg
Assessment methods and criteria
100% participation + seminar activity
Note
none
Further information
This course is an elective for all students of this school
Schedule for winter semester 2021/2022:
The schedule has not yet been prepared
Schedule for summer semester 2021/2022:
Date | Day | Time | Tutor | Location | Notes | No. of paralel |
---|---|---|---|---|---|---|
25.04.2022 | 14:15–18:00 | Petr SALABA | Projection Room Lažanský palác |
in english | parallel1 |
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bachelor-1920-1year (optional subject)
- Scriptwriting and Dramaturgy - Bachelor_2020 (optional subject)
- Scriptwriting and Dramaturgy - Master-1920_1y (optional subject)
- Scriptwriting and Dramaturgy - Master_2021 (optional subject)
- Film Directing_Bachelor-1920-1year (optional subject)
- Film Directing_Bachelor-1920-2year (optional subject)
- Film Directing_Bachelor_2021 (optional subject)
- Film Directing - Master-1920_1y (optional subject)
- Film Directing - Master (optional subject)
- Documentary Film - Bachelor - 1920 - 1year (required optional subject, optional subject)
- Documentary Film - Bachelor_2020 (required optional subject, optional subject)
- Documentary Film - Master - 1920_1y (required optional subject, optional subject)
- Documentary Film - Master_2022 (optional subject)
- Cinematography - Bachelor - 1920 - 1year (optional subject)
- Cinematography Bachelor_2021 (optional subject)
- Cinematography - Master-1920_1y (optional subject)
- Cinematography - Master_2021 (optional subject)
- Produkce - Bakalářské studium (optional subject)
- Production - Master (optional subject)
- Montage-1920 (optional subject)
- Montage_2020 (optional subject)
- Editing - Bachelor-1920-1year (optional subject)
- Editing - Bachelor_2021 (optional subject)
- Editing - Master-1920_1y (optional subject)
- Editing - Master_2021 (optional subject)
- Photography CZ - bachelor_2022 (optional subject)
- Photography CZ - Bachelor - 1920-1year (optional subject)
- Photography CZ - Master - 1920_1y (optional subject)
- Photography CZ - Master_2021 (optional subject)
- Sound Design - Bachelor-1920-1year (optional subject)
- Sound Design - Bachelor_2020 (optional subject)
- Sound Design - Master-1920_1y (optional subject)
- Sound Design - Master_2021 (optional subject)
- Animation - Bachelor - 1920-1y (optional subject)
- Animation - Bachelor_2020 (optional subject)
- Animation - Master - 1920_1y (optional subject)
- Animation - Master_2021 (optional subject)
- Game Design - Master (optional subject)
- Audiovisual Studies - Bachelor - 1920 - 1y (optional subject)
- Audiovisual Studies - Bachelor_2020 (optional subject)
- Audiovisual Studies - Master - 1920_1y (optional subject)
- Audiovisual Studies - master_2021 (optional subject)
- Research and Theory of Audiovision (optional subject)