Sound in Documentary
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
306SD | Z | 2 | 26PS | English | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
-
Mode of study
Lectures
Prerequisites and co-requisites
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Course contents
A specialized course aimed at a familiarization with the basic sound composition methods of the documentary film communication.
Acquaintance with the patterns of the audio part of audio-visual work and practical inspirations and procedures for working with sounds and music.
The student will record and edit a short documentary situation based on a detailed technical script and detailed composition plan. The etude can include the basic composition methods (multiple layers, parallel montage, work with sound effects and ambient sounds etc.).
Recommended or required reading
Sound Theory, Sound Practice (AFI Film Readers)
by Rick Altman
Paperback: 304 pages
Publisher: Routledge (June 30, 1992)
Language: English
ISBN-10: 0415904579
Invisible Storytellers: Voice-Over Narration in American Fiction Film
by Sarah Kozloff
Paperback: 167 pages
Publisher: University of California Press (November 3, 1989)
Language: English
ISBN-10: 0520067932
ISBN-13: 978-0520067936
Recommended movies:
Pevnost
Proměny přítelkyně Evy
Denně předstupuji před tvou tvář
Variace na hledání tvaru
Poslední z rodu
Assessment methods and criteria
Activity in the lectures/exercises/classes
development of the given small exercise
completion of the final exam
minimum 70% participation in the total classes.
Note
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Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Montage_2020 (required optional subject)