Filming The Unfilmable
Code | Completion | Credits | Range | Language Instruction | Semester |
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311UNF | Z | 2 | 2H/W | English | winter and summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
By the end of the course students will:
-learn the techniques, skills and academic considerations present within film literature in order to define and differentiate the various elements that combine to deliver a coherent project
-gain an understanding of the personal, critical, social and commercial factors within the creative process that leads to finished artistic projects within the audio-visual medium
Mode of study
lecture
Prerequisites and co-requisites
-
Course contents
This course is designed to give students an in-depth experience of the creative process and its considerations and to consider the ‘filmable’ - those things that are ‘known’ and the ‘unfilmable’ - those things which are ‘understood’.
The course uses film text analysis, academic texts drawn from a wide range of sources not only limited to film, a short series of class assignments, and in-class exercises exploring the creative writing process as found in film script development.
Recommended or required reading
THOULESS, Robert H. Straight and Crooked Thinking. London: Pan Books, 1974. 220 s. ISBN 0-330-24127-3.
EAGLETON, Terry. Literary Theory. Oxford: Basil Blackwell, 1989. VIII, 244 s. ISBN 0-631-13259-7.
BROOK, Peter. The Empty Space. London: Pelican Books, 1988. 157 s. ISBN 0-14-02.1415-1.
PETER, John Desmond. Vladimir’s Carrot. London: Methuen. x, 372 s. 1988. ISBN 0-413-18530-3.
ESSLIN, Martin. The Field of Drama. London, New York: Methuen, 1988. 190 s. ISBN 0-413-19260-1.
Assessment methods and criteria
Students will be evaluated on their contribution and efforts to the class, practical work and the colloquial examination. The course grade will be calculated as follows:
Attendance - 20%
Participation in discussion - 30%
In-class assignments - 60%
Note
CET Program Note: The subject consists of 28 contact hours in Spring 2022, recommended transfer to 2 US credits.
Schedule for winter semester 2021/2022:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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Mon | 15:40–17:15 | Neil Andrew TAYLOR | Room No. 2 Lažanský palác |
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Wed | 16:30–18:05 | Neil Andrew TAYLOR | parallel2 | |||
Tue | 18:10–19:45 | Neil Andrew TAYLOR | parallel3 |
Schedule for summer semester 2021/2022:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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Tue | 16:30–18:05 | Neil Andrew TAYLOR | Room No. 1 Lažanský palác |
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Wed | 19:50–21:25 | Neil Andrew TAYLOR | Room No. 3 Lažanský palác |
parallel2 | ||
Mon | 17:20–18:55 | Neil Andrew TAYLOR | Room No. 3 Lažanský palác |
parallel3 |
The subject is a part of the following study plans
- Cinema and Digital Media - Directing_1920 (required optional subject)
- Cinema and Digital Media - Directing 2020 (required optional subject)