Film Implementation Practice 1
Subject is not scheduled Not scheduled
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 203FRPA1 | credit | 3 | 40 hours (60 minutes) of practice or independent work in school per semester, 35 to 50 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Contents
The course aims to present the student with the preparation of a film shoot and ideally with the actual film shoot. The student will receive an offer of possible internships according to the FAMU schedule and ongoing film projects in the given period. The teachers of the Film Faculty are as helpful as possible at this stage and if students are working on a project themselves during the semester, they directly offer these internship positions. The internship term is not timed in any way and can be completed at any time during the semester. The internship must last at least 5 working days.
Learning outcomes
After this course students are getting better understanding of the work of the film crew and responsibilities of the each crew member. Physical presence on the shoot and understanding of the working flow during the shooting day, can help student to better understand the workflow on the film set.
Prerequisites and other requirements
The listener is familiar with the implementation of drawing documentation and the work of the film crew.
Literature
ACKLAND-SNOW, Terry. LAYBOURN, Wendy. The Art of Illusion, Production design for Film and Television. Ramsbury: The Crowood Press, 2018. ISBN 978-1785003431.
BARNWELL, John. Production Design for Screen: Visual Storytelling in Film and Television. London: Bloomsbury Publishing Plc., 2017. ISBN 978-1472580672.
ETTEDGUI, Peter. Production Design and Art Direction (Screencraft). Eastbourne: Gardners Books, 1999. ISBN 978-2880463649.
LoBRUTTO, Vincent. The Filmmaker's Guide to Production Design. New York: Allworth Press, 2002. ISBN 978-1581152241.
McHENRY, David. Drawing the Line, Technical Hand Drafting for Film and Television. New York, London: Routledge, 2018. ISBN: 9781138290334.
PILE, John. Perspective for Interior Designers. New York: Whitney Library of Design, 1989.
RIZZO, Michael. The Art Direction Handbook For Film. Waltham: Focal Press, 2005. iSBN 978-0240806808.
SHORTER, Georgina. Designing for the screen: Production Design and Art Direction explained. Ramsbury: The Crowood Press, 2012. ISBN 978-1847973849.
WOODBRIDGE, Patricia. Designer Drafting for Entertainment World. Waltham: Focal Press, 2000. ISBN 978-0240804248.
WOODBRIDGE, Patricia. TINE, Hal. Designer Drafting and Visualizing for the Entertainment World. Waltham: Focal Press, 2000. ISBN 978-0240818917.
Evaluation methods and criteria
The internship can be conducted within the school as a part of collaboration between Scenography department at DAMU and FAMU international. Another option for students can be work on a professional project. The lecturer will inform students about current projects being shoot in Prague and students can apply for internship there. This option will be various as per amount of projects being in production during the school year. In this case stundent has to find internship supervisor (guarantor) on this proeject, with whom to do the internship and, upon completion of the internship, document it with a description of the internship signed by that supervisor.
Further information
No schedule has been prepared for this course