Search for Context 3

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
204MDSC3 exam 3 2 seminar hours (45 min) of instruction per week, 57 to 72 hours of self-study English winter

Subject guarantor

Name of lecturer(s)

Contents

Third part of the course is the culmination of the process of connecting students’ own artistic experience and the articulation of their research interests within the context of contemporary performance making practice and theory, with a 4000-word essay as the final outcome of the course.

Learning outcomes

Course graduate:

Prerequisites and other requirements

None.

Literature

Bachelard, Gaston, Poetics of Space

Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship

Butler, Judith, Gender Trouble

Carlson, Marvin, Performance. A Critical Introduction

Stephen Duncombe, Dream. Re-imagining Progressive Politics in an Age of Fantasy

Etchells, Tim. Certain Fragments

Matthew Goulish, 39 Microlectures: In Proximity of Performance

Lehmann, Hans-Thies. Postdramatic Theatre

André Lepecki, Exhausting Dance: Performance and the politics of movement

North, Stephen M., The Making of Knowledge in Composition

Phelan, Peggy. Unmarked: The Politics of Performance

Schön, Donald A., The Reflective Practitioner

Evaluation methods and criteria

The student submits a semester thesis of at least 3500 words, which is the main subject of evaluation. The written skills and the content of the seminar work are evaluated.

During the exam period, the exam will take the form of a debate on a topic that the student analyze in the seminar work. Reflection abilities are evaluated.

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans