Writer’s room – the space for the collaboration and co-development
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
305MWR | credit | 1 | 14 hours (45 min) of instruction per semester, 15 to 20 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Contents
This module brings the participants a laboratory experience of the writer's room and encourages collaboration among the students from different departments. It will consist of two parts:
The first part (DECEMBER): students will be introduced to basic concepts and terms. Then, we will discover what it means to work together in a writer's room. For this part, your own ideas for the show will be needed. Everybody will have a maximum of 5 minutes to describe it in a short pitch. After that, we will make groups to work on these ideas more.
In the second part of this module (JANUARY), we will dive more into structuring the series by analyzing chosen show and creating our own second or third season of this show.
The module is organized by Natália Pavlove and the Production Department as a part of her research project “From co-development to co-distribution”.about international co-development in the film industry.
The guest lecturer is Barbora Námerová, a graduate of FAMU scriptwriting department. Barbora is an acclaimed script writer. The films on which she collaborated with the director Tereza Nvotová premiered at festivals such as Locarno FF and Rotterdam FF and won over 20 prizes. She is an alumnus of Serial Eyes- Europe's premier postgraduate training programme for television writers and producers organized by Germany's leading film school DFFB in Berlin.
Learning outcomes
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Prerequisites and other requirements
For the first part (DECEMBER): come to the workshop with at least one idea for the show/series (it can be an anthology series, mini-series, series, procedurals, or a combination of any of these). It does not have to be developed, but you should know at least your logline.
For the second part (JANUARY): - watch the selected series as homework. Please, if you can, make the notes too. It is essential - please don't come to the class without it.
Literature
The reading list is there to help you orient yourself in the theory of series writing, but if you don't have time for it, rather really spend some time thinking about your show and thoroughly watch the show selected for the second part of the workshop.
Neil Landau - The Tv show runner's roadmap, 21 navigational tips for screenwriters to create and sustain a hit tv series.
Daniel Calvisi - Story Maps, TV Drama, The Structure of the one-hour television pilot
Lajos Egri - The Art of Dramatic Writing
William Rabkin - Writing the pilot
Kam Miller - The hero succeeds
Kristin Thompson - Storytelling in Film and Television
Christina Kallas - Inside of Writer's room
Pamela Douglas - Writing the TV Drama Series: How to Succeed as a Professional Writer in TV
Evaluation methods and criteria
Zápočet je udělen na základě 100% docházky.
Note
Everybody is welcome on this journey. Does not mean that you must be a scriptwriter to come. You can be from any kind of field in the film industry. The only requirement is to love TV series and be able to work in a group and be willing to listen to other voices. We will together create a safe space that welcomes every voice and mind in the room, but we will also discover what it means to be a head writer in the room.
Further information
This course is an elective for all students of this school
Schedule for winter semester 2022/2023:
Date | Day | Time | Tutor | Location | Notes | No. of paralel |
---|---|---|---|---|---|---|
18.01.2022 | 09:00–16:00 | Tereza CZESANY DVOŘÁKOVÁ | Projection Room Lažanský palác |
The guest lecturer is Barbora Námerová, a graduate of FAMU scriptwriting department. Barbora is an acclaimed script writer. The films on which she collaborated with the director Tereza Nvotová premiered at festivals such as Locarno FF and Rotterdam FF and won over 20 prizes. She is an alumnus of Serial Eyes- Europe's premier postgraduate training programme for television writers and producers organized by Germany's leading film school DFFB in Berlin. | lecture parallel1 | |
02.12.2022 | 09:00–16:00 | Tereza CZESANY DVOŘÁKOVÁ | Room No. 4 Lažanský palác |
The guest lecturer is Barbora Námerová, a graduate of FAMU scriptwriting department. Barbora is an acclaimed script writer. The films on which she collaborated with the director Tereza Nvotová premiered at festivals such as Locarno FF and Rotterdam FF and won over 20 prizes. She is an alumnus of Serial Eyes- Europe's premier postgraduate training programme for television writers and producers organized by Germany's leading film school DFFB in Berlin. | lecture parallel1 |
Schedule for summer semester 2022/2023:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bachelor-1920-1year (optional subject)
- Scriptwriting and Dramaturgy - Bachelor_2020 (optional subject)
- Scriptwriting and Dramaturgy - Master-1920_1y (required optional subject, optional subject)
- Scriptwriting and Dramaturgy - Master_2021 (optional subject)
- Film Directing_Bachelor-1920-1year (optional subject)
- Film Directing_Bachelor-1920-2year (required optional subject, optional subject)
- Film Directing_Bachelor_2021 (optional subject)
- Film Directing - Master-1920_1y (required optional subject, optional subject)
- Film Directing - Master (optional subject)
- Documentary Film - Bachelor - 1920 - 1year (optional subject)
- Documentary Film - Bachelor_2020 (optional subject)
- Documentary Film - Master - 1920_1y (optional subject)
- Documentary Film - Master_2022 (optional subject)
- Cinematography_1920 (optional subject)
- Cinematography_3_2021 (optional subject)
- Cinematography - Bachelor - 1920 - 1year (optional subject)
- Cinematography Bachelor_2021 (optional subject)
- Cinematography - Master-1920_1y (optional subject)
- Cinematography - Master-1920_2y (optional subject)
- Cinematography - Master_2021 (optional subject)
- Produkce - Bakalářské studium (optional subject)
- Production - Bachelor-1920-1year (optional subject)
- Production - Master (optional subject)
- Production - Master (optional subject)
- Montage_2020 (optional subject)
- Editing - Bachelor-1920-1year (optional subject)
- Editing - Bachelor_2021 (optional subject)
- Editing - Master_2021 (optional subject)
- Photography CZ - bachelor_2022 (optional subject)
- Photography CZ - Bachelor - 1920-1year (optional subject)
- Photography CZ - Master_2021 (optional subject)
- Photography EN - Bachelor-1920 (optional subject)
- Photography EN - Bachelor - 2022 (optional subject)
- Photography EN - Master-1920 (optional subject)
- Photography EN - Master - 2022 (optional subject)
- Sound Design - Bachelor-1920-1year (optional subject)
- Sound Design - Bachelor_2020 (optional subject)
- Sound Design - Master-1920_1y (required optional subject, optional subject)
- Sound Design - Master_2021 (optional subject)
- Animation - Bachelor - 1920-1y (optional subject)
- Animation - Bachelor_2020 (optional subject)
- Animation - Master - 1920_1y (required optional subject, optional subject)
- Animation - Master_2021 (optional subject)
- Cinema and Digital Media - Directing_1920 (optional subject)
- Cinema and Digital Media - Directing 2020 (optional subject)
- Game Design - Master (optional subject)
- Audiovisual Studies - Bachelor_2020 (optional subject)
- Audiovisual Studies - Master - 1920_1y (required optional subject, optional subject)
- Audiovisual Studies - master_2021 (optional subject)
- Research and Theory of Audiovision 2021 (optional subject)
- Research and Theory of Audiovision 2023 (optional subject)