Sound in Documentary
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 306SD | credit | 2 | 26 lecture hours (45 min) of instruction per semester, 31 to 41 hours of self-study | English | winter |
Subject guarantor
Name of lecturer(s)
Contents
A specialized course aimed at a familiarization with the basic sound composition methods of the documentary film communication.
Acquaintance with the patterns of the audio part of audio-visual work and practical inspirations and procedures for working with sounds and music.
The student will record and edit a short documentary situation based on a detailed technical script and detailed composition plan. The etude can include the basic composition methods (multiple layers, parallel montage, work with sound effects and ambient sounds etc.).
Learning outcomes
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Prerequisites and other requirements
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Literature
Sound Theory, Sound Practice (AFI Film Readers)
by Rick Altman
Paperback: 304 pages
Publisher: Routledge (June 30, 1992)
Language: English
ISBN-10: 0415904579
Invisible Storytellers: Voice-Over Narration in American Fiction Film
by Sarah Kozloff
Paperback: 167 pages
Publisher: University of California Press (November 3, 1989)
Language: English
ISBN-10: 0520067932
ISBN-13: 978-0520067936
Recommended movies:
Pevnost
Proměny přítelkyně Evy
Denně předstupuji před tvou tvář
Variace na hledání tvaru
Poslední z rodu
Evaluation methods and criteria
Activity in the lectures/exercises/classes
development of the given small exercise
completion of the final exam
minimum 70% participation in the total classes.
Note
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Schedule for winter semester 2022/2023:
The schedule has not yet been prepared
Schedule for summer semester 2022/2023:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Montage_2020 (required optional subject)