doc. MgA. Tomáš KOUTNÍK
Courses
- Aural Analysis 1 (Course guarantor)
- Aural Analysis 2 (Course guarantor)
- Aural Analysis 3 (Course guarantor)
- Aural Analysis 4 (Course guarantor)
- Aural Training, Short Scores 1 (Course guarantor)
- Choir Conducting 1 (Course guarantor)
- Choir Conducting 2
- Choir Conducting 2 (Course guarantor)
- Choir Conducting 3 (Course guarantor)
- Choir Conducting 4
- Choir Conducting Theory 2
- Choir Repertoire 1 (Course guarantor)
- Choir Repertoire 2 (Course guarantor)
- Choir Repertoire Study 2
- Choir Repertoire Study 4
- Conducting Seminar 10 (Course guarantor)
- Conducting Seminar 2 (Course guarantor)
- Conducting Seminar 4 (Course guarantor)
- Conducting Seminar 6 (Course guarantor)
- Conducting Seminar 8 (Course guarantor)
- Didactics/Teaching Practical of Conducting 2
- Introduction to Conducting 1 (Course guarantor)
- Introduction to Conducting 2 (Course guarantor)
- Introduction to Conducting 3 (Course guarantor)
- Introduction to Conducting 4 (Course guarantor)
- Introduction to Conducting 5 (Course guarantor)
- Introduction to Conducting 6 (Course guarantor)
- Manual Technique 1 (Course guarantor)
- Manual Technique 2
- Opera Conducting, Opera Studio Work 2 (Course guarantor)
- Opera Conducting, Opera Studio Work 4 (Course guarantor)
- Opera Conducting Theory 2 (Course guarantor)
- Opera Conducting Theory 2 (Course guarantor)
- Opera Conducting Theory 4 (Course guarantor)
- Opera Dramaturgy and Analysis 2
- Opera Literature 2 (Course guarantor)
- Opera Performance, Coaching 1 (Course guarantor)
- Opera Performance, Coaching 2
- Opera Repertoire Study 10
- Opera Repertoire Study 2
- Opera Repertoire Study 4
- Oratorio and Cantata Repertoire 4 (Course guarantor)
- Oratorio and Cantata Repertoire Study 2 (Course guarantor)
- Oratorio and Cantata Repertoire Study 4 (Course guarantor)
- Orchestra Conducting 1 (Course guarantor)
- Orchestra Conducting 2 (Course guarantor)
- Orchestra Conducting 3 (Course guarantor)
- Orchestra Conducting 4 (Course guarantor)
- Orchestra Conducting 5 (Course guarantor)
- Orchestra Conducting 5 (Course guarantor)
- Orchestra Conducting 6 (Course guarantor)
- Orchestra Conducting 6 (Course guarantor)
- Orchestra Conducting 7 (Course guarantor)
- Orchestra Conducting 8 (Course guarantor)
- Orchestral Repertoire 1
- Orchestral Repertoire 2
- Orchestral Repertoire Study 1
- Orchestral Repertoire Study 10 (Course guarantor)
- Orchestral Repertoire Study 2 (Course guarantor)
- Orchestral Repertoire Study 3 (Course guarantor)
- Orchestral Repertoire Study 4 (Course guarantor)
- Orchestral Repertoire Study 5 (Course guarantor)
- Orchestral Repertoire Study 6 (Course guarantor)
- Orchestral Repertoire Study 7 (Course guarantor)
- Orchestral Repertoire Study 8 (Course guarantor)
- Orchestral Repertoire Study 9 (Course guarantor)
- Playing in the Orchestra 1 (Course guarantor)
- Playing in the Orchestra 2
- Playing in the Orchestra 7
- Playing in the Orchestra 8
- Symphony Orchestra Conducting Theory 1 (Course guarantor)
- Symphony Orchestra Conducting Theory 2 (Course guarantor)
- Symphony Orchestra Conducting Theory 3 (Course guarantor)
- Symphony Orchestra Conducting Theory 4 (Course guarantor)
- Symphony Orchestra Conducting Theory 5 (Course guarantor)
- Symphony Orchestra Conducting Theory 5 (Course guarantor)
- Symphony Orchestra Conducting Theory 6 (Course guarantor)
- Symphony Orchestra Conducting Theory 6 (Course guarantor)
- Voice Training 2 (Course guarantor)
- Voice Training 4
Diploma thesis led and defended successfully
- MgA. Blahunek Václav Ph.D. – Symfonický dechový orchestr v reflexi české tvorby 2. poloviny 20. století
- BcA. Brauner Tomáš – Symfonie Viktora Kalabise
- MgA. Klecker Jakub – L. Janáček: Svita z opery Příhody lišky Bystroušky
- BcA. Vorlíček Marek – Amatérské pěvecké sbory plzeňského kraje
- BcA. Krausová Andrea – Dirigent jako propagátor
- Mgr., MgA. Vasilek Lukáš – Práce s amaterským a profesionálním sborem
- BcA. Štilec Marek – Problematika interpretace tří vrcholných Mozartových symfonií se zaměřenám na Symfonii g moll, K.V.550
- MgA. Jouza Vojtěch – Rekonstrukce Bachových Markových pašijí
- BcA. Bubák Jan – Instrumentační retuše v české orchestrální praxi.
- BcA.MgA. Kománek Aleš – 10. symfonie Jaromíra Podešvy v kontextu jeho života a díla
- BcA. Hájek Michal – Tintinnabuli - Kompoziční styl Arvo Pärta
- MgA. Židek Tomáš Ph.D. – Polyfonie v dílech J. B. Foerstra a jeho současníků
- MgA. Rózsová Michaela – Pěvecké hlasové obory.
- MgA.BcA. Jiříkovský Petr – Symfonická tvorba Svatopluka Havelky
- MgA. Hájek Michal – Švédský sborový fenomén.
- Mgr.MgA. Louženský Petr – Světská sborová tvorba a capella Francise Poulenca
- BcA. Urbanová Karin – Impresionismus v hudbě a výtvarném umění
- MgA. Macek František – Symfonismus ve francouzské hudbě pozdního romantismu
- BcA. Spilka Vít – Práce dirigenta v sekci dechových nástrojů
- BcA. Mimrová Jana – Dirigent - partner
- MgA. Bagnoud Sébastien – Conductor's work in different types of ensembles
- BcA. Pikla Jakub – Život a dílo Miroslava Raichla - inerpretační pohled na vokální skladby
- BcA. Štefan Josef – Život a orchestrální tvorba K. Szymanowského
- BcA. Jelínková Alena – Dirigent očima orchestrálních hráčů
- MgA. Mimrová Jana Cecilie – Bohuslav Martinů - Duo Concertant H264
- BcA. Mára Jan – Specifika dirigování baletní hudby při provedení s jevištní akcí
- BcA. Kunovský Ondřej – Analýza a srovnání interpretací suity "Jaro" J.B. Foerstera
- MgA. Štefan Josef – R.Schumann a jeho vliv na J. Brahmse s přihlédnutím k Brahmsovým klavírním koncertům