prof. MgA. Mgr. Michal RATAJ, Ph.D.
Teacher's web page
Courses
- Advanced methods studio work for composer 1 (Course guarantor)
- Advanced methods studio work for composer 2 (Course guarantor)
- Advanced methods studio work for composer 3 (Course guarantor)
- Advanced methods studio work for composer 4 (Course guarantor)
- Advanced Music Programming, Synthesis and Live Electronics 1 (Course guarantor)
- Advanced Music Programming, Synthesis and Live Electronics 2 (Course guarantor)
- Composition 1
- Composition 1
- Composition 10
- Composition 2 (Course guarantor)
- Composition 2
- Composition 3
- Composition 4 (Course guarantor)
- Composition 5
- Composition 6 (Course guarantor)
- Composition 7
- Composition 7
- Composition 8
- Composition 8
- Composition 9
- Composition Practical of Electroaccoustic and Multimedia Music 1 (Course guarantor)
- Composition Practical of Electroaccoustic and Multimedia Music 2 (Course guarantor)
- Composition Seminar 10
- Composition Seminar 2
- Composition Seminar 4
- Composition Seminar 6
- Composition Seminar 8
- Conteporary Acousic Arts - history and analysis 3 (Course guarantor)
- Conteporary Acousic Arts - history and analysis 4 (Course guarantor)
- Critical reading (Course guarantor)
- Diploma Seminar 2 (Course guarantor)
- Diploma Seminar 3
- Fundamentals of Electro-acoustic Composition for jazz fields 2 (Course guarantor)
- History and Analysis of Acoustic Arts I. 2
- History and Analysis of Acoustic Arts II. 1 (Course guarantor)
- History and Analysis of Acoustic Arts II. 2 (Course guarantor)
- History and analysis of contemporary acoustic art 1 (Course guarantor)
- History and analysis of contemporary acoustic art 2 (Course guarantor)
- Improvisation and Performance (Course guarantor)
- Introduction to Audio-Visual Technology 1
- Introduction to Audio-Visual Technology 2
- Introduction to Max Programming (Course guarantor)
- Lectures of Guest of Composition Departmant
- Lectures of Guest of Composition Departmant SS
- Project Seminar 1 (Course guarantor)
- Project Seminar 2 (Course guarantor)
- Stage and Film Music 1 (Course guarantor)
- Stage and Film Music 2 (Course guarantor)
- Stage and Film Music 3 (Course guarantor)
- Stage and Film Music 4 (Course guarantor)
- Stage and Film Music II. 1
- Stage and Film Music II. 2
Diploma thesis led and defended successfully
- Trojan Jan Ph.D. – Akustická ekologie a soundscape v kontextu multimédií
- MgA. Pálka-Plachká Michaela Ph.D. – Tělesná zkušenost a lidské tělo jako vztah hudby a objektu
- MgA. Švarcová Terezie – Lidský hlas v tvorbě Arnolda Schönberga ve vybraných příkladech
- MgA. Lukeš Jiří – Reflexe současných elektroakustických technologií ve vokálně-instrumentální hudbě
- Bc.MgA. Cílková Eliška – Radioaktivní prostředí jako možný zdroj inspirace kompoziční tvorby
- MgA. Klusák Martin – Hudba jako film, film jako hudba
- BcA. Hejl Matouš – Karlheinz Stockhausen a Beatles
- MgA. Machová Cihanská Alexandra – Experimentálne prístupy k práci so zvukom v prostredí vituálnej reality
- MgA. Rataj Jakub – Převod pohybu lidského těla na zvuk pomocí senzorů
- Tóth Miroslav Ph.D. – Kompozícia v reálnom čase
- MgA. Hejl Matouš – Kompozice a komputace
- MgA. Wan Yuk Bun – Numerical system in spatial music composition -Focus on ancient Chinese Yin Yang and Wu Xing numerical system
- MgA. Cunha Bruno – Transtextuality in contemporary music
- MgA. Klusák Martin Ph.D. – Vizuální hudba
- MgA. Burt Michael – Manufacturing Expectation and Predictiviness in Orchestral Music with Respect to My Own Compositional Practice
- Vesikkala Juhani Ph.D. – The Noise–Pitch Continuum in Timbral Music
- Švarcová Terezie Ph.D. – Lidský hlas v instrumentačním procesu ve vybraných příkladech