Screenwriting Masterclass with Paulo Filipe Monteiro
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
311MSM | zápočet | 1 | 4 hodiny SEMINÁŘŮ za celý akademický rok (45 minut), 22 až 27 hodin domácí příprava | anglicky | zimní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Obsah
Part 1: – 13th October 10am – 12pm
Film Screening of Noites Claras (2024)- working copy dur. 100 min + Q and A
Where: Screening Room at Lažanský Palác, FAMU Main Building – Smetanovo nábřeží 2
Part 2: 14th October 10am – 12pm
Screenwriting Masterclass
Room 3 – FAMU Main Building, Lažanský palác, Smetanovo nábřeží 2
Výsledky učení
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Předpoklady a další požadavky
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Literatura
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Hodnoticí metody a kritéria
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Poznámka
When trying to contribute to the state of the art of a theory of screenwriting, we realise the little we have advanced since Pasolini's essay in 1965.
Comparing writing for film with writing for other arts such as music and theatre can be of some use.
Basically, there are two ways of conceiving screenwriting. One is as a transcription of the chaos, of the phantoms that have to be shed in verbal language in order to start a production. Ingmar Bergman, for instance, states he starts with something very vague, “mood-like”, a “brightly colored thread sticking out of the dark sack of the unconcious”. But we can also understand screenwriting as anticipation, aufhebung, ghost of what is to come but is still suspended in words and will die once the film is produced (a cocoon, says Carrière).
Abou Paulo Filipe Monteiro
Professor of cinema and of performing arts at Universidade Nova de Lisboa.
Has published extensively on cinema, performing arts and fiction.
His book Drama e Comunicação was elected best book of 2010 by Coimbra University Press; it was also published in Brazil in 2012. In 2012 he published Imagens da Imagem. Among his recent writings: “An art in the rough: the cinema of João César Monteiro”, in Lucia Nagib e Anne Jerslev (eds.), Impure Cinema: Intermedial and Intercultural Approaches to Film, I.B. Tauris, 2014.
He has given conferences and workshops in Portugal, Spain, France, Italy, Belgium, Argentina, Germany, Ireland, Brazil and USA.
Paulo has wrote and directed three fiction films:
- Amor Cego/Three to Tango, 2010, 25’, Prize of the Jury at Festival Córtex
- Zeus, 2017, 117, which won 13 prizes. Among them: Best Actor Prize at the 4th Indian Film Festival in Mumbai; 4 Prizes in the Official Selection of the XXII Paths of Portuguese Cinema (Best Actor, Best Supporting Actor, Best Wardrobe, Best characterization); Grand-Prix and Best Male Performance at the 14th Festival Cinéma et Migrations Agadir
- Pas de Quoi (11’, 2020). Audience Prize „Best Film“ at InShadow Film Festival, Film; semi-finalist at Dance Camera West, Los Angeles
He is now finishing a new fiction film, Clear Nights.
As a screenwriter, he wrote for other directors 7 feature films, selected to Cannes, Locarno, São Paulo. And the TV adaptation A Viúva do Enforcado, 10 episodes, 1993.
He also directed 16 theatre plays. And he has been an actor in 11 feature films and in series and tv films of several nationalities.
Rozvrh na zimní semestr 2023/2024:
Datum | Den | Čas | Vyučující | Místo | Poznámky | Č. paralelky |
---|---|---|---|---|---|---|
13.10.2023 | 10:00–12:00 | Jitka HEJTMANOVÁ | Projekce FAMU Lažanský palác |
přednášková par. 1 | ||
14.10.2023 | 10:00–12:00 | Jitka HEJTMANOVÁ | Učebna 3 (FAMU) Lažanský palác |
přednášková par. 1 |
Rozvrh na letní semestr 2023/2024:
Rozvrh zatím není připraven
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