Lectures of Guest of Composition Departmant SS
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
101MPHLS | credit | 1 | 9 hours (45 min) of instruction per semester, 18 to 23 hours of self-study | English, Czech | summer |
Subject guarantor
Name of lecturer(s)
Contents
prof. PhDr. Július Fujak, PhD.
UKF Nitra
Translucent Sound Sculptures in Site-Specific Intermedia Music
The lecture is initially focused on the juxtaposition of Marcel Duchamp's conceptual works Sculpture Musicale and John Cage's 4´33´´ - both of them became the starting point of the author's creation of acousmatic, compressed music capturing/transforming sound environments.
Learning outcomes
The lecture starts with a juxtaposition of Marcel Duchamp's conceptual works Sculpture Musicale and John Cage's 4´33´´ - both of them became the starting point for the author's creation of acousmatic, compressed music capturing/transforming sound environments. The sounds of specific environments (with their social signification), conceived as unique musical-sound sculptures, have become part of his musical-artistic projects, to which the focus, performance part of the presentation/lecture is devoted:
For example, Animation of Silence (in Music) Puppets (2000) or Nitra's Atlantis (2013), dedicated to semantic parallels between the prehistory and present of Nitra and its surroundings. Melancholy (2017), created in collaboration with the minimalist artist S. Zombek and the poet P. Milčák, transformed an abandoned cowshed near Levoča into a site-specific gallery or concert hall of sounding sound events. The sound sculpture Silo (2018), inspired by the aforementioned idea of Duchamp, was realized in the dilapidated sugar factory in Rimavská Sobota as a site-specific sonic-musical work, similarly to other „transparent“ sound sculptures - Švábení (2019) with the intermedia bricolist Petr Nikl in the New Synagogue in Žilina, or two works La Mer (2021/2022) and ÚÚÚ-FFF-ÓÓ (2021), dedicated to the important Slovak intermedia conceptualists Milan Adamčiak and Július Koller.
In the conclusion, the author discusses the phenomenon of so-called sonic photography bearing the imprint of kairos - in relation to Roland Barthes' ideas from his work La Chambre Claire (The Light Chamber, 1980) - which can be an organic part of translucent sound sculptures.
The lecture is part of the solution of the scientific task KEGA 041UKF-4/2022 Preparation of teaching texts of the supporting subjects of the study programme Cultural Studies.
Prerequisites and other requirements
v přípravě
Literature
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Evaluation methods and criteria
Students must attend at least three lectures to receive 1 credit. At the end of the semester, the student will prepare a reflection (min. 1 standard page) on each topic and evaluate the contribution as well as give any suggestions.
Note
3. 4. 2023
Classroom No. 1022
13:00 - 16:00
Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Composition-Specialization electroacoustic music (Mg) (Elective subjects)
- Composition (Bc) (Elective subjects)
- Composition (Bc) from 2022/23 (Elective subjects)
- Composition (Mg) from 2022/23 (Elective subjects)
- Composition-Specialization Composition (Mg) (Elective subjects)