Modern Dance Schools 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 107MTS1 | credit | 2 | 2 hours (45 min) of instruction per week, 32 to 42 hours of self-study | Czech | winter |
Subject guarantor
Name of lecturer(s)
Contents
Periods in the development of the dance modern, characteristics of individual phases (relation to common artistic events, geographic spread, development of dance styles and forms, main representative;
The conditions ofr the rise of the dance modern: status of dance arts at the end of the 19th century, the dance modern sources of inspiration, relationto the previous development;
Dance and music in the modern (development of dance music, creations by Igor Stravinsky and other composers);
Dance and Theatre: changes in the concept of the theatre space and actors in it, impetus for the directorial concept of theatre, influence of Eastern theatre culture on the understanding of the place of dance in theatre, examples of direct interaction of modern dance and drama theatre;
Distinctive features of the dance modern: style, development of movement material, changes in the concept of dance forms, theatre as opposed to absolute dance, development of dance education, theory review of dance in the modern.
Learning outcomes
This course is a detailed introduction to the development of dance in the modern period. It focuses on the newly constituted dance style of so called Expressive dance. (Ausdruckstanz).
Prerequisites and other requirements
This course assumes the completion of an overview of history lectures in Survey of the History of Dance and Ballet and Survey of the History of Ballet in the Czech Republic.
Literature
Martin, John: Modern Dance, New York 1972.
Baxmann, Inge: Mythos: Gemeinschaft. Körper- und Tanzkulturen in der Moderne, München 2000.
Benjamin, Walter: Umělecké dílo ve věku své technické reprodukovatelnosti. In: Benjamin, Walter: Dílo a jeho zdroj, Praha 1979.
Brandenburg, Hans: Der moderne Tanz, München 1921.
Burt, Ramsay: Alien Bodies, London, New York 1998.
Fokin, Michail: Protiv těčenija, Leningrad, Moskva 1962.
Jaques-Dalcroze, Émile: Rytmus, Praha 1927.
Kröschlová, jarmila: Výrazový tanec, Praha 1964.
Laban, Rudolf: Die Welt de Tänzers, Stuttgart 1920.
Szondi, Peter: Teória modernej drámy, Bratislava 1969.
Thomas, Helen: Dance, Modernity and Culture, London, New York 1995.
Evaluation methods and criteria
Credit is awarded based on: participation in lectures, readings of the assigned literature.
During the semester readings of assigned literature and participation in lectures and independent study is required.
Conditions for successfull completion of the course; participation in lectures, readings of required literature.
Note
None
Schedule for winter semester 2023/2024:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Tue | 12:30–14:00 | Dorota GREMLICOVÁ | computer's classroom Hartig Palace |
lecture parallel1 |
Schedule for summer semester 2023/2024:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Choreography (Bc) (Required subjects with the possibility of repeat registration)
- Dance Pedagogy (Bc) - Classical Dance (Required elective subjects)
- Dance Pedagogy (Bc) - Modern Dance (Required elective subjects)
- Dance Pedagogy (Bc) - Folk Dance (Required elective subjects)
- Dance Pedagogy (Mg) (Required elective subjects)
- Dance Pedagogy (Mg) - Classical Dance (Required elective subjects)
- Dance Pedagogy (Mg) - Contemporary Dance (Required elective subjects)
- Dance Pedagogy (Mg) - Folk Dance (Required elective subjects)
- Dance Theory (Bc) (Required subjects with the possibility of repeat registration)