Photography of Landscape 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 307EPHL1 | exam | 2 | 39 exercise hours (45 min) of instruction per semester, 21 to 31 hours of self-study | English |
Subject guarantor
Name of lecturer(s)
Contents
The course focuses on working in the plein air using natural light, working with image sharpness, cropping and composition. The ways of thinking about photography as a means of making a statement about a particular place, their variability, mutual compatibility and appropriateness in relation to intention are also inherent. The course introduces students to the basic laws of photographic imaging in capturing space and reproducing it in the surface of a photograph. In the practical part, attention is given to working with medium format equipment, appropriate use of light, the effects of weather and the possibilities of using classical techniques.
Main topics
1-2/ introduction to the topic of landscape photography - specifics of the industry, dependence on external influences and their use, sources of inspiration
2-3/ research of the location, accentuation of characteristic features, setting in context, author's research
4-5/ accompanying lectures, other sources of inspiration according to the specification of individual projects
6-10/ individual fieldwork, individual and joint consultations, presentation of ongoing work and process
11/ joint consultation, presentation of work in the context of lessons learned, proofreading
12/ post-production, editing, drafts of the ideal final presentation, evaluation
Learning outcomes
The student is able to work independently in the field, can map a given location in terms of photographic record, set his own creative intention, prepare conditions, communicate with local residents, find out the necessary information in relation to the depicted aspect of the territory, choose the appropriate technique and weather conditions
Prerequisites and other requirements
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Literature
Required:
Godfrey Anne C.: Active Landscape Photography Theoretical Groundwork for Landscape Architecture, Taylor & Francis, 2020
Malpas William: Land Art in Close-up, Crescent Moon Publishing, 2008
Kastner Jefferey: Land and Environmental Art, Phaidon, 2010
Monoian Elizabeth, Ferry Robert: Land Art of the 21st Century: Land Art Generator Initiative at Fly Ranch, Hirmer, 2020
Recommended:
Locke Adrain, Shane Robert, Bowditch Lucy: Art & Place: Site-Specific Art of the Americas, Phaidon, 2013
Lippard Lucy R.: Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing West, The New Press, 2014
Iversen Margaret: Beyond Pleasure - Freud, Lacan, Barthes, Pennsylvania State University Press, 2017
Cheetham Mark: Landscape into Eco Art: Articulations of Nature Since the ’60s, Pennsylvania State University Press, 2019
Patrizio Andrew: The ecological eye: Assembling an ecocritical art history, Rethinking Art's Histories, 2021
Demos T. J.: Decolonizing Nature: Contemporary Art and the Politics of Ecology, Sternberg Press, 2016
Koudelka Josef, Irena Šorfová: De-creazione, Národní galerie v Praze, 2018
Koudelka Josef, Barré Francois: Industries, Fragment, 2017
Koudelka Josef: Wall, Aperture, 2013
Helmreich Anne: Nature's Truth- Photography, Painting, and Science in Victorian Britain, 2016
Evaluation methods and criteria
Active participation in all course events, 80% attendance, independent creative work
Note
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Schedule for winter semester 2023/2024:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| – | Martin STECKER | parallel1 |
Schedule for summer semester 2023/2024:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Photography EN - Bachelor - 2022 (Required subjects)