Individual Voice Education 3
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
202IHV3 | Z | 2 | 1/T | Czech | winter |
- Subject guarantor:
- Tereza JANDA ROGLOVÁ, Ivana VOSTÁRKOVÁ
- Name of lecturer(s):
- Tereza JANDA ROGLOVÁ, Ivana VOSTÁRKOVÁ
- Learning outcomes of the course unit:
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- create impetus for general recognition of the importance of the psychological basis of individual functional voice exercises.
- developing vocal basics and the phsyical-mental conditions, the need to induce voice exercises in a corresponding physical-mental system. For each harmonically tuned function (in the sense of the harmonic interplay of healthy, vitalizing, mental, physical and vocal production)
- the mediator is primarily the conscientious management of breating which renews the harmonic balance among the body, thoughts and emotions.
- to understand the mechanism of natural (miscellaneous) breathing and its relationship to thought, muscles and emotion, that is, to induce prmiciples of self-awareness and attempt to integrate rational, sensible and emotional thought.
- justify the reality that voice is a communication of human physical-mental quality and co-creates a comprehensive expression of individuality
- quality of voice reflects the tuning of the conscious and subconscious of the individual.
- Mode of study:
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- Solo and group voice instruction. Classes. Analysis of student reviews. Recorded example analyses
- Practice of vocal skills, focused primarily on developing spatial and mass imagination - ex: body mass - in a techical interplay linked to the somatic and psychosomatic.
- Assessment of achieved skill level may be done in instruction at at the summary exam.
- Prerequisites and co-requisites:
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Basic music theory knowledge, middle-school knowledge of wind instruments, vocal and articulation apparatuses. Musicality. Interest in the study. Presumed education.
- Recommended optional programme components:
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No elective requirements.
- Course contents:
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Voice training is understood as one component of artistic training, „very good self-realization“ meaning aimed towards getting to know oneself and one's potential also for training the voice. All Alternative Theatre and Puppetry Dept. body-mind course are aimed in this direction.
- Recommended or required reading:
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Bar,J.: Pravý tón a pravé pěvecké umění 1,2. Praha, Supraphon 1976
Čunderle, M (ed.).: Hlas, mluva, řeč, Řeč, mluva, hlas. Praha, AMU 2006.
Hančil, J.: Hlas individuality. In. Svět a divadlo 1993, č. 1.
Lewis, D.: Tao dechu. Praha, Prgma 2000.
Martienssenová - Lohmanová F.: Vědomé zpívání. Praha, SNP 1987.
Válková - Jonášová, L.: Abeceda hlasových cvičení. Praha, Panton 1971
Válková, L.: Hlasová výchova herců a její řešení. In. Svět a divadlo 1993, č. 1.
Válková, L.: K psychologickým aspektům výchovy k profesionálnímu hlasovému a zpěvnímu projevu. In Psychosomatický základ veřejného vystupování, jeho studium a výzkum, Praha: AMU 1999.
Válková, L. / Vyskočilová, E.: Hlas individuality - Psychosomatické pojetí hlasové výchovy. Praha, AMU 2007
- Planned learning activities and teaching methods:
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Lectures, demonstrations, Focused voice exercises, individual voice exercises in groups, classes.
- Assessment methods and criteria:
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Credit is awarded based on: Working activity in exercises and classes; completion of two reviews at the summary of both semesters; theory interview on voice technique theory and its importance for personal development.
- Course web page:
- Note:
- Schedule for winter semester 2012/2013:
- The schedule has not yet been prepared
- Schedule for summer semester 2012/2013:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
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- Herectví se zaměřením na autorskou tvorbu a pedagogiku (Mgr.) (compulsory subject)
- Herectví se zaměřením na autorskou tvorbu a pedagogiku (Bc.) (compulsory subject)