Production in Non-Traditional Spaces 4

Subject guarantor:

Name of lecturer(s):

Learning outcomes of the course unit:

Consultations and production collaboration activities. Searching for model examples abroad /for inspiration/. Leading to independence creative versatility. Ability to financially secure a project from domestic and foreign sources.

Mode of study:

This course takes place in the form of discussions, lectures and classes and DVD screenings in the classroom and selected locations.

Prerequisites and co-requisites:

Completion of 204NPM3 Production in Non-traditional Locations 3.

To distinguish between realistic and non-realistic artistic vision. Adaptation of one's project/idea to an unknown and often unsafe environment. Mutual communications with other students and instructors.

Recommended optional programme components:

Introduction to film production and the activities of a realty agency, as the case may be completion of a study abroad.

Course contents:

- Selection of appropriat locations considering the given topic

- Production and creative originality and flexibility in a non-traditional space/idea

- Active collaboration on the topic and its development

- Public space issues

- Establishing communications with institutions, corresponding management groups and local civil initiatives

- Personal and technical-material project determinations

- Sponsor, marketing and advertisement activities, PR in project preparation phases.

- Contact with passively interested parties from the project location.

- Work during the course of the project execution

- Active perception of the work

- Review of the project after execution, final report.

Recommended or required reading:

Giep Hagoort: Umělecký management v podnikatelském stylu, Kant, Praha 2009

Institut umění: Umělci bez hranic, Praha 2010

Peter Zunthor: Promýšlet architekturu, Archa, Praha 2009

George Soros: Soros o Sorosovi, Praha 1997

Federico Fellini: Dělat film, Praha 1986

Doubravka Ugrešič: Kultura lži, Praha 1999

Vladimír Boudník: Z korespondence, Praha 1994

Institut umění: Studie současného stavu podpory umění, Praha 2010

Eva Dvořáková - Benjamin Fragner - Tomáš Šenberger: Industriál_paměť_východiska, Praha 2007

Philip Jodidio: Renzo Piano Building Workshop 166 to today, Taschen Koln 2008

Claudine Dussollier: In Situ- European Artist on the Road, Vic-la-Gardilole 2006

Jan Dvořák: Alternativní divadlo, Praha

Kazimierz Braun: Divadelní prostor

On the Beaten Track: Tourism, Art and Place 1999

Pavel Kosatík: České snění, Praha 2010

Horská, P., Maur, E., Musil,J.: Zrod velkoměsta. Urbanizace českých zemí a Evropa, Paseka, Praha- Litomyšl 2002

Allan S.,: The Millenaris Park, MuseumsQuartier, and Tate

Modern, London 2005

New Social Spaces of Art in Budapest, Wien, and London

Trans Europe Halles,: Factories of the imagination, Paris 2003

Zemánková H.: Tvořit ve vytvořeném, Brno, 2003

Gehl J., Gemzoe L.,: Nové městské prostory, Kodaň 2000

Jan Gehl & Lars Gemzoe: Život mezi budovami, Brno 2002

Illah van Oijen: Urban landscape of Bratislava, Bratislava 2007

Christopher Day: Duch a místo, Brno 2002

Planned learning activities and teaching methods:

Lectures, classes, project consultations, on-location instruction.

Assessment methods and criteria:

Attendance: min. 30% of all instruction hours

Teamwork

Participation in the colloquium.

Course web page:

Note:

Further information:

No schedule has been prepared for this course

The subject is a part of the following study plans:

• Arts Management (B.A.) (optional subject)
• Directing and Dramaturgy for Dramatic Theatre (B.A.) (optional subject)
• Dramaturgy for Dramatic Theatre (M.A.) (optional subject)
• Dramaturgy for Alternative and Puppet Theatre (M.A.) (optional subject)
• Directing for Alternative and Puppet Theatre (M.A.) (optional subject)
• Stage Design for Alternative and Puppet Theatre (M.A.) (optional subject)
• Stage Design (B.A.) (optional subject)
• Stage Design - Costumes and Masks (M.A.) (optional subject)
• Theory and criticism (B.A.) (optional subject)
• Theory and criticism (M.A.) (optional subject)
• Directing for Dramatic Theatre (M.A.) (optional subject)
• Stage Design (M.A.) (optional subject)
• Directing and Dramaturgy for Alternative and Puppet Theatre (B.A.) (optional subject)
• Stage Design for Alternative and Puppet Theatre (B.A.) (optional subject)
• Drama in Education - part-time 2 years (M.A.) (optional subject)
• Arts Management (M.A.) (optional subject)
• Authorial Acting (B.A.) (optional subject)
• Drama in Education - part-time 4 years (B.A.) (optional subject)
• Acting for Alternative and Puppet Theatre (M.A.) (optional subject)
• Acting for Dramatic Theatre (M.A.) (optional subject)
• Stage Design - Film and Television (M.A.) (optional subject)
• Authorial Acting - 3 years (M.A.) (optional subject)
• Drama in Education (M.A.) (optional subject)
• Drama in Education - part-time 3 years (M.A.) (optional subject)