| 1. semester |
| 308ASE5 |
Analytical Seminar 5 |
Z |
1 |
| 308AF |
Apocalyptic Movies |
ZK |
2 |
| 308EAK6 |
Electroacoustics 6 |
Z |
1 |
| 308HA |
Musical Acoustics |
ZK |
2 |
| 308OS7 |
Sound Department Seminar 7 |
Z |
1 |
| 308PPTZ1 |
Advanced Technology and Methods of Film Sound 1 |
Z |
1 |
| 308RD5 |
Sound Workshop 5 |
Z |
2 |
| 311SAE |
Soundtrack Aesthetics |
Z |
2 |
| 308TFIH1 |
Theory of Film Music 1 |
Z |
1 |
| 308TZT4 |
Theory of Sound Creation 4 |
ZK |
2 |
| 308OCZ1 |
Practical Assignments 1 |
Z |
2 |
| 308PEP1 |
Sound Design: Teaching Practice 1 |
Z |
3 |
| 308VAVP1 |
Multichannel Audiovisual Postproduction 1 |
Z |
1 |
|
SECOND FOREIGN LANGUAGE - OBLIGATORY CHOICE |
|
|
|
HISTORY OF CZECH |
|
|
|
MODULES FAMU |
|
|
|
Total recommended number of credits per semester |
|
30 |
| 2. semester |
| 308ASE6 |
Analytical Seminar 6 |
Z |
1 |
| 308DIS1 |
Diploma Seminar 1 |
Z |
1 |
| 308EAK7 |
Electroacoustics 7 |
Z |
1 |
| 308KZK3 |
Final Commission 3 |
ZK |
2 |
| 308OS8 |
Sound Department Seminar 8 |
Z |
1 |
| 308RD6 |
Sound Workshop 6 |
Z |
2 |
| 308STP |
Seminar Theoretical Study |
ZK |
2 |
| 308STFH |
Theory of Film Music Seminar |
Z |
1 |
| 308STZT2 |
Theory of Sound Creation: Seminar 2 |
Z |
1 |
| 308SFF |
The Contemporary French Cinematography |
ZK |
2 |
| 308TFIH2 |
Theory of Film Music 2 |
ZK |
1 |
| 308AP4 |
Assistant Practice 4 |
Z |
1 |
| 308PEP1 |
Sound Design: Teaching Practice 1 |
Z |
3 |
| 308SAV1 |
Joint Audiovisual Work 1 |
Z |
6 |
| 308VAVP2 |
Multichannel Audiovisual Postproduction 2 |
Z |
1 |
|
SECOND FOREIGN LANGUAGE - OBLIGATORY CHOICE |
|
|
|
HISTORY OF CZECH |
|
|
|
MODULES FAMU |
|
|
|
Total recommended number of credits per semester |
|
30 |
| 3. semester |
| 308ASE7 |
Analytical Seminar 7 |
Z |
1 |
| 308DIS2 |
Diploma Seminar 2 |
Z |
1 |
| 308EAK8 |
Electroacoustics 8 |
ZK |
2 |
| 308OS9 |
Sound Department Seminar 9 |
Z |
1 |
| 308PPTZ2 |
Advanced Technology and Methods of Film Sound 2 |
Z |
1 |
| 308RD7 |
Sound Workshop 7 |
Z |
2 |
| 308STZT3 |
Theory of Sound Creation: Seminar 3 |
Z |
1 |
| 308VAVV |
The Relationship between Audio and Visual Perception |
Z |
1 |
| 308ZRFH |
Sound Direction of Film Music |
Z |
1 |
| 308OCZ2 |
Practical Assignments 2 |
Z |
2 |
| 308PEP2 |
Sound Design: Teaching Practice 2 |
Z |
3 |
| 308VAVP3 |
Multichannel Audiovisual Postproduction 3 |
Z |
1 |
|
SECOND FOREIGN LANGUAGE - OBLIGATORY CHOICE |
|
|
|
HISTORY OF CZECH |
|
|
|
MODULES FAMU |
|
|
|
Total recommended number of credits per semester |
|
30 |
| 4. semester |
| 308AHN |
Acoustics of Musical Instruments |
Z |
1 |
| 308ASE8 |
Analytical Seminar 8 |
Z |
1 |
| 308HUE |
Musical Electronics |
Z |
1 |
| 308OS10 |
Sound Department Seminar 10 |
Z |
1 |
| 308RD8 |
Sound Workshop 8 |
Z |
2 |
| 308STFH |
Theory of Film Music Seminar |
Z |
1 |
| 308TFIH2 |
Theory of Film Music 2 |
ZK |
1 |
| 308APPR |
Graduate Work |
Z |
12 |
| 308PEP2 |
Sound Design: Teaching Practice 2 |
Z |
3 |
| 308SAV2 |
Joint Audiovisual Work 2 |
Z |
6 |
| 308VAVP4 |
Multichannel Audiovisual Postproduction 4 |
Z |
1 |
|
SECOND FOREIGN LANGUAGE - OBLIGATORY CHOICE |
|
|
|
HISTORY OF CZECH |
|
|
|
MODULES FAMU |
|
|
|
Total recommended number of credits per semester |
|
30 |
