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ACADEMY OF PERFORMING ARTS IN PRAGUE
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Úvodní stránka > FAMU > FAMU International > Abbas Kiarostami and the Iranian Cinema Phenomenon

Abbas Kiarostami and the Iranian Cinema Phenomenon

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Kód Zakončení Kredity Rozsah Jazyk výuky Semestr
311MKIA Z 1 2D anglicky
Garant předmětu:
Ronald Bergan
Jméno vyučujícího (jména vyučujících):
Ronald Bergan
Výsledky učení dané vzdělávací složky:

This one-day module will serve as a useful introduction and critique of Kiarostami´s oeuvre, in the context of Iranian cinema (taking into account the obstacles the filmmakers have to overcome), by discussion and analyses of film clips and selected feature films. In this way, the module will attempt to illuminate the thematic and stylistic aspects of Kiarostami´s extraordinary films.

Forma studia:

Lecture

Předpoklady a další požadavky:

None

Doporučené volitelné vzdělávací složky:

None

Obsah kurzu:

Of all the new wave cinemas, the Iranian New Wave is probably the most surprising. Surprising because it emerged in a part of the world not known for its cinema and from under an authoritarian and strict religious regime. However, transcending any exoticism, the exceptional vitality and originality of Iranian cinema has been welcomed by audiences around the world, and recognised by the multitude of awards won at many international film festivals.

Among the many celebrated Iranian film directors who have contributed to the Iranian cinema phenomenon are Jafar Panahi (still shamefully in prison in Iran); the Makhmalbaf family, Mohsen, Majid Majidi (his wife), and their daughters Samira and Hana; Asghar Farhadi, whose film The Separation (2011) became the first Iranian movie to win an Oscar, and Abbas

Kiarostami, the most famous of all, indisputably considered one of the greatest directors in contemporary world cinema. FAMU is proud and delighted to welcome Mr. Kiarostami to Prague in November 2014 in order to give a series of master classes and to introduce some of his films.

Abbas Kiarostami (born in 1940) has a long, distinguished and varied career in cinema, first gaining an international reputation with Where Is The Friend´s Home? (1987), consolidating it with Close-Up (1990), And Life Goes On (1992), Through the Olive Trees (1994), The Taste of Cherry (1997), which won the Palm d´Or at Cannes, and The Wind Will Carry Us (1999).

Always experimenting, Kiarostami made Ten (2002) and Five (2003), two features remarkable for their use of long takes, and Shirin (2008), which consisted entirely of close-ups of women watching a film. This was followed by two films made outside Iran, Certified Copy (2010), shot in Italy, and Like Someone In Love (2012), shot in Japan in Japanese.

Doporučená nebo povinná literatura:

None

Plánované vzdělávací činnosti a výukové metody:

None

Hodnoticí metody a kritéria:

100% attendance

Webová stránka předmětu:
Poznámka:

Teacher: Ronald Bergan

http://www.theguardian.com/profile/ronaldbergan

Rozvrh na zimní semestr 2014/2015:
Datum Den Čas Vyučující Místo Poznámky Č. paralelky
07.11.2014 09:30–16:00 Bergan R. Učebna 3
Lažanský palác 		in English. Open for all FAMU students přednášková par. 1
Rozvrh na letní semestr 2014/2015:
Rozvrh zatím není připraven
Předmět je součástí následujících studijních plánů:
Platnost dat k 16. 6. 2015