doc. MgA. Mgr. Michal RATAJ, Ph.D.

Email:

michal.rataj@hamu.cz

Teacher's web page

www.michalrataj.com

Courses:

• Advanced methods of musical programming, synthesis and live electronics 1 (Course guarantor)
• Advanced methods of musical programming, synthesis and live electronics 2 (Course guarantor)
• Composition 1
• Composition 10
• Composition 2 (Course guarantor)
• Composition 3
• Composition 4 (Course guarantor)
• Composition 5
• Composition 6 (Course guarantor)
• Composition 7
• Composition 8
• Composition 9
• Composition Practical of Electroaccoustic and Multimedia Music 1 (Course guarantor)
• Composition Practical of Electroaccoustic and Multimedia Music 2 (Course guarantor)
• Composition Practical of Electroaccoustic and Multimedia Music 2 (Course guarantor)
• Composition Practical of Electroaccoustic and Multimedia Music 3 (Course guarantor)
• Creative application program MAX/MSP (Course guarantor)
• Diploma Seminar 2 (Course guarantor)
• Electroaccoustic and Multimedia Music 1 (Course guarantor)
• Electroaccoustic and Multimedia Music 2 (Course guarantor)
• Electroaccoustic and Multimedia Music 3 (Course guarantor)
• Electroaccoustic and Multimedia Music 4 (Course guarantor)
• Electroaccoustic and Multimedia Music 5 (Course guarantor)
• Electroaccoustic and Multimedia Music 7 (Course guarantor)
• Electroaccoustic and Multimedia Music 8 (Course guarantor)
• Electroaccoustic and Multimedia Music 9 (Course guarantor)
• Electroaccoustic and Multimedia Music II. 1 (Course guarantor)
• Electroaccoustic and Multimedia Music II. 2 (Course guarantor)
• Fundamentals of Electro-acoustic Composition for jazz fields 1 (Course guarantor)
• Fundamentals of Electro-acoustic Composition for jazz fields 2 (Course guarantor)
• History and analysis of contemporary acoustic art 1 (Course guarantor)
• History and analysis of contemporary acoustic art 2 (Course guarantor)
• Kathy Hinde – Hidden Sounds (Course guarantor)
• Project Seminar 1 (Course guarantor)
• Project Seminar 2 (Course guarantor)
• Research and Publication Methods 1
• The Interpretation of the contemporary Music 1
• The Interpretation of the contemporary Music 2
• The Note Or The Sound?-Leigh Landy (Course guarantor)
• Trombon, Carnyx, Live-electronics in Josef Gallery (Course guarantor)

Diploma thesis led and defended successfully:

• MgA. Švarcová Terezie – Lidský hlas v tvorbě Arnolda Schönberga ve vybraných příkladech
• MgA. Lukeš Jiří – Reflexe současných elektroakustických technologií ve vokálně-instrumentální hudbě
• Bc.MgA. Cílková Eliška – Radioaktivní prostředí jako možný zdroj inspirace kompoziční tvorby
• MgA. Klusák Martin – Hudba jako film, film jako hudba
• BcA. Hejl Matouš – Karlheinz Stockhausen a Beatles
• MgA. Rataj Jakub – Převod pohybu lidského těla na zvuk pomocí senzorů
• BcA. Hejl Matouš – Kaleidoscope
• MgA. Wan Yuk Bun – Numerical system in spatial music composition -Focus on ancient Chinese Yin Yang and Wu Xing numerical system
• MgA. Klusák Martin – Předjaří. Audiovizuální kompozice
• MgA. Wan Yuk Bun – Evocations for flute, symphonic orchestra and electroacoustic media /Evokace pro flétnu, symfonický orchestr a elektroakustická média