MgA. Robert SMOLÍK
- Email:
- robert.smolik@damu.cz
- Courses:
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- Authorship Implementation 1 (Course guarantor)
- Authorship Implementation 2 (Course guarantor)
- Authorship Implementation 3 (Course guarantor)
- Authorship Implementation 4 (Course guarantor)
- Basics to Stage Technology - Course 1 (Course guarantor)
- Computer Graphics 1 (Course guarantor)
- Computer Graphics 2 (Course guarantor)
- Directing 1
- Drawing and Painting 1 (Course guarantor)
- Drawing and Painting 1 (Course guarantor)
- Drawing and Painting 2 (Course guarantor)
- Drawing and Painting 2 (Course guarantor)
- Drawing and Painting 3 (Course guarantor)
- Drawing and Painting 3 (Course guarantor)
- Drawing and Painting 4 (Course guarantor)
- Drawing and Painting 4 (Course guarantor)
- Drawing and Painting 5 (Course guarantor)
- Drawing and Painting 6 (Course guarantor)
- Erasmus project I. 1
- Intermedia Creation and Technology 1 (Course guarantor)
- Intermedia Creation and Technology 2 (Course guarantor)
- Material and Editing 1 (Course guarantor)
- Material and Editing 2 (Course guarantor)
- Material and Editing 3 (Course guarantor)
- Material and Editing 4 (Course guarantor)
- Modern Theatre and its Double 4
- Moulding and Sculpting 1 (Course guarantor)
- Moulding and Sculpting 1 (Course guarantor)
- Moulding and Sculpting 2 (Course guarantor)
- Moulding and Sculpting 2 (Course guarantor)
- Moulding and Sculpting 3 (Course guarantor)
- Moulding and Sculpting 3 (Course guarantor)
- Moulding and Sculpting 4 (Course guarantor)
- Moulding and Sculpting 4 (Course guarantor)
- Moulding and Sculpting 5 (Course guarantor)
- Moulding and Sculpting 6 (Course guarantor)
- Plein Air 1 (Course guarantor)
- Plein Air 2 (Course guarantor)
- Plein Air 3 (Course guarantor)
- Plein Air 4 (Course guarantor)
- Plein Air 5 (Course guarantor)
- Stage Design 1 (Course guarantor)
- Stage Design 1 (Course guarantor)
- Stage Design 2 (Course guarantor)
- Stage Design 2 (Course guarantor)
- Stage Design 3 (Course guarantor)
- Stage Design 3 (Course guarantor)
- Stage Design 4 (Course guarantor)
- Stage Design 4 (Course guarantor)
- Stage Design 5 (Course guarantor)
- Stage Design 6 (Course guarantor)
- Stage Design as a Component of Production 1 (Course guarantor)
- Stage Design as a Component of Production 2 (Course guarantor)
- Stage Design Seminar 1 (Course guarantor)
- Stage Design Seminar 2 (Course guarantor)
- Stage Design Seminar 3 (Course guarantor)
- Stage Design Seminar 4 (Course guarantor)
- Stage Implementation - Individ. 1 (Course guarantor)
- Stage Implementation - Individ. 2 (Course guarantor)
- Stage Light Design 1 (Course guarantor)
- Stage Light Design 2 (Course guarantor)
- Technology and Technical Drawing 1 (Course guarantor)
- Technology and Technical Drawing 2 (Course guarantor)
- Technology and Technical Drawing 3 (Course guarantor)
- Technology and Technical Drawing 4 (Course guarantor)
- Technology and Technical Drawing 5 (Course guarantor)
- Technology and Technical Drawing 6 (Course guarantor)
- Technology and Technical Drawing 7 (Course guarantor)
- Technology and Technical Drawing 8 (Course guarantor)
- Work on Performance 1 (Course guarantor)
- Work on Performance 1 (Course guarantor)
- Work on Performance 1
- Work on Performance 1
- Work on Performance 2 (Course guarantor)
- Work on Performance 2 (Course guarantor)
- Work on Performance 2
- Work on Performance 3 (Course guarantor)
- Work on Performance 3 (Course guarantor)
- Work on Performance 4 (Course guarantor)
- Work on Performance 4 (Course guarantor)
- Work on Performance 5 (Course guarantor)
- Work on Performance 6 (Course guarantor)
- Work on Performance Practice 1 (Course guarantor)
- Work on Performance Practice 1
- Work on Performance Practice 1 (Course guarantor)
- Work on Performance Practice 2 (Course guarantor)
- Work on Performance Practice 2 (Course guarantor)
- Work on Performance Practice 3 (Course guarantor)
- Work on Performance Practice 3 (Course guarantor)
- Work on Performance Practice 4 (Course guarantor)
- Work on Performance Practice 4 (Course guarantor)
- Workshop Implementation 1 (Course guarantor)
- Workshop Implementation 2 (Course guarantor)
- Workshop Implementation 3 (Course guarantor)
- Workshop Implementation 4 (Course guarantor)
- Diploma thesis led and defended successfully:
-
- BcA. Hudcová Jitka – Vstup interaktivní projekce do současné scénografie.
- BcA. Conti Padao Světlana – Objekt v subjektu.
- BcA.MgA. Špalová Jana – Lidová dřevěná hračka a její avantgardní obdoby z 1.pooviny 20.století jako zdroj inspirace
- BcA. Ráčková Karolína – Recyklace a autenticita materiálu v divadle
- MgA. Czech Karel – Loutka ve filmu.
- BcA. Svobodová Veronika – Od Junony k Sekvenci 02
- MgA. Krtičková Anna – Chudoba v divadle.
- BcA. Bartůňková Tereza – Ilustrace x jeviště
- BcA. Brejcha Jan – Maska ve výtvarném divadle
- BcA. Pospíšilová Jitka – Scénografie jako organizace prostoru
- BcA. Svobodová Barbora – Stylizace versus autenticita, scénografie v nedivadelním prostoru
- BcA. Wildtová Lucie – Loutka na okraji figurální kinetické plastiky
- Bc.MgA. Lovrič Sara – Illusion in Puppet Theatre
- BcA. Zika Mikoláš – Loutky v současnosti
- MgA. Kratochvíl Jindřich – Porovnání role a úlohy scénografa na jevištích ochotnických scén a nezávislých projektů v době ekonomické krize
- MgA. Hernández Díaz Fortuna Eugenia – Jelen a stvoření světa
- MgA. Pospíšilová Jitka – Scénografie jako organizace prostoru O2
- MgA. Burdová Barbora – Okrajové hudební subkultury a s nimi spojená estetika jako výchozí bod pro tvorbu autorského představení
- BcA. Migač Dominik – Loutky na pokraji viditelnosti
- BcA. Fleková Klára – Fragmenty všednosti zkoumané z pohledu scénografie a zvuku
- BcA. Hásková Marie – Zobrazení smrti v evropském loutkovém divadle v posledních padesátu letech
- BcA. Kalivodová Anežka – Využití zvířecí masky v tanečním divadle
- BcA. Rajnišová Natálie – Využití analogového obrazu v divadle
- MgA. Bartůňková Tereza – Kresba + jeviště
- BcA. Králíková Františka – Současné postavení scénografa v Devising theatre
- MgA. Brejcha Jan – Jeden nebo dva scénografové
- MgA. Švédová Michaela – Zvuk jako výrazový prostředek herce