Montage workshop 3
Předmět není vypsán Nerozvrhuje se
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
306MW3 | Z | 4 | 52S | anglicky | zimní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Výsledky učení dané vzdělávací složky
Successful implementation of all group and study exercises. Gathering of knowledge from the workshop program.
Forma studia
Screenplay consultations, shooting manner, rough edit, and, possibly, all rough material after the final edit.
Předpoklady a další požadavky
Readiness to devote the maximum of one's time and energy to the successful mastery of challenging tasks arising from the implementation of the practical exercises.
Obsah kurzu
The workshop should accentuate the open form of thinking about film and through the film, namely video and audio, monitor their relationships (not only) with an emphasis on editing and the open-form sequence-shot film.
The workshop is defined space-time in which students receive pedagogical leadership not only in school exercises and work on their studies, but also in the wider framework of their future profession. Based on theoretical and practical reflections on specific topics builds a method of specific „film“ thinking.
We prefer working individually with each student since we believe every student to be a special individual and everyone will be working with a material marked by a different personality of its maker (the director). Therefore, each material presents different problems in its form. Of course, the works presented in the seminars allow for generalizations, f. e. the differences in editing of a documentary or a feature film, the rhythm or pacing, orchestral composition of the audio component, work with music, dramaturgical composion etc. The knowledge of this is valuable to all students regardless of their year of study. To demonstrate, we can use selected video sequences on tapes.
Topics:
•Editing as a means of expression
•Screenplay (script) – analysis, montage – synthesis
•Functions of a camera shot
•Size of a camera shot and its value
•Variability of a shot’s length
•Impact of a shot
•Manipulation with time and space through editing
•Time-space orientation
•Camera position and floor plan
•Influence of optics on the content of a camera shot
•Line of action – posibilities of its change and orientation rules
•Script of a simple situation with a point, a horizontal projection with a camera position
•Editing composition with regard to the genre: news report, clip, documentary, feature film (differences)
•Difference between the editor’s work in a documentary and a feature film
•Use of music in a documentary and a feature film
Doporučená nebo povinná literatura
Writings, 1934-1947: Sergei Eisenstein Selected Works, Volume 3 Reprint Edition
by Sergei M. Eisenstein (Author), Richard Taylor (Editor)
ISBN-13: 978-1848853577
ISBN-10: 1848853572
Ralph Rosenblum and Robert Karen - When the shooting stops...the cutting begins
ISBN-10: 0306802724; ISBN-13: 978-0306802720
Theory of Film
by Siegfried Kracauer
Series: Princeton Paperbacks
Paperback: 364 pages
Publisher: Princeton University Press (November 24, 1997)
Language: English
ISBN-10: 0691037043
ISBN-13: 978-0691037042
Hodnoticí metody a kritéria
Completion of a film and submitted explication
Poznámka
none
Další informace
Pro tento předmět se rozvrh nepřipravuje
Předmět je součástí následujících studijních plánů
- Montage-1819 (povinný předmět)