Creative application program MAX/MSP

Display Schedule

Code Completion Credits Range Language Instruction Semester
101TA-MAX Z 2 blok Czech winter

Subject guarantor

Michal RATAJ

Name of lecturer(s)

Martin Klusák, Michal RATAJ

Learning outcomes of the course unit

Acquaintance with the acoustic arts scene in Liverpool. Introduction to issues of objective programming in MAX.

Mode of study

Day long module held by the instructor Matthew Fairclough.

Prerequisites and co-requisites

Basic skills of music programming.

Course contents

9am - 10am

10am - 11:30am

11:30am - 12pm - Break

12pm - 2pm

Creating a simple MAX/MSP patch (with a focus on real-time video control using MIDI or sound signal) is a voluntary part of the workshop. It is preferred to bring your own laptops with MAX/MSP installed (either full version or demo). Period after 2pm can be used for individual consultation.

Matthew Fairclough is a composer and the Director of Music Technology at the University of Liverpool. He lectures on the creative applications of Music Technologies in both Popular and Classical music. His research is practice-based focusing on composing for acoustic instruments with real-time electronic processing. Matthew founded and is Artistic Director of the Open Circuit Festival, a festival of new music, sonic art and audio-visual media, which runs annually at the University of Liverpool. Matthew regularly works with many high profile performers, composers and organisations. These have included Joanna MacGregor, Andy Sheppard, Joby Burgess, Jonathan Harvey, Luciano Berio, Britten Sinfonia, Psappha, Ensemble 10/10, Smith Quartet and Sound Intermedia.

Recommended or required reading

Miller Puckette: Techniques of electronic music.

Assessment methods and criteria

active participation

Note

None.

Schedule for winter semester 2018/2019:

The schedule has not yet been prepared

Schedule for summer semester 2018/2019:

The schedule has not yet been prepared

The subject is a part of the following study plans