doc. MgA. Mgr. Michal RATAJ, Ph.D.
Teacher's web page
Courses
- Advanced methods of musical programming, synthesis and live electronics 1 (Course guarantor)
- Advanced methods of musical programming, synthesis and live electronics 2 (Course guarantor)
- Advanced methods studio work for composer 1 (Course guarantor)
- Advanced methods studio work for composer 2 (Course guarantor)
- Advanced methods studio work for composer 3 (Course guarantor)
- Advanced methods studio work for composer 4 (Course guarantor)
- Composition 1
- Composition 10
- Composition 2 (Course guarantor)
- Composition 3
- Composition 4 (Course guarantor)
- Composition 5
- Composition 6 (Course guarantor)
- Composition 7
- Composition 8
- Composition 9
- Composition Practical of Electroaccoustic and Multimedia Music 1 (Course guarantor)
- Composition Practical of Electroaccoustic and Multimedia Music 2 (Course guarantor)
- Composition Seminar 10
- Composition Seminar 2
- Composition Seminar 4
- Composition Seminar 6
- Composition Seminar 8
- Conteporary Acousic Arts - history and analysis 3 (Course guarantor)
- Conteporary Acousic Arts - history and analysis 4 (Course guarantor)
- Creative application program MAX/MSP (Course guarantor)
- Diploma Seminar 1
- Diploma Seminar 2 (Course guarantor)
- Diploma Seminar 3
- Fundamentals of Electro-acoustic Composition for jazz fields 1 (Course guarantor)
- Fundamentals of Electro-acoustic Composition for jazz fields 2 (Course guarantor)
- History and analysis of contemporary acoustic art 1 (Course guarantor)
- History and analysis of contemporary acoustic art 2 (Course guarantor)
- Improvisation and Performance (Course guarantor)
- MAX Programming (Course guarantor)
- Project Seminar 1 (Course guarantor)
- Project Seminar 2 (Course guarantor)
- Sample-based Music (Course guarantor)
- Seminar work (Compostiion)
Diploma thesis led and defended successfully
- MgA. Švarcová Terezie – Lidský hlas v tvorbě Arnolda Schönberga ve vybraných příkladech
- MgA. Lukeš Jiří – Reflexe současných elektroakustických technologií ve vokálně-instrumentální hudbě
- Bc.MgA. Cílková Eliška – Radioaktivní prostředí jako možný zdroj inspirace kompoziční tvorby
- MgA. Klusák Martin – Hudba jako film, film jako hudba
- BcA. Hejl Matouš – Karlheinz Stockhausen a Beatles
- MgA. Rataj Jakub – Převod pohybu lidského těla na zvuk pomocí senzorů
- BcA. Hejl Matouš – Kaleidoscope
- MgA. Hejl Matouš – Kompozice a komputace
- MgA. Wan Yuk Bun – Numerical system in spatial music composition -Focus on ancient Chinese Yin Yang and Wu Xing numerical system
- MgA. Klusák Martin – Předjaří. Audiovizuální kompozice
- MgA. Wan Yuk Bun – Evocations for flute, symphonic orchestra and electroacoustic media /Evokace pro flétnu, symfonický orchestr a elektroakustická média
- MgA. Hejl Matouš – Anamnesis for pierrot ensemble and electronics (11')