Poetics of Interpretation Performance 1

Display Schedule

Code	Completion	Credits	Range	Language Instruction	Semester
108PIV1	Z	2	BLOK	Czech	winter

Subject guarantor

Ivana BAŽANTOVÁ

Name of lecturer(s)

Ivana BAŽANTOVÁ

Learning outcomes of the course unit

Course for 1st and 2nd year Master's students. Course takes place over 4 obligatory open meetings during the academic year, two classes per semester. The content is determined by the course leader - a doctoral candidate and trainees. The course is concluded with credit for each semester. The course aims to expand the view of the work of an artist, a musician, across fields. As well this course is an example and preparation for the discusssion at the state final exam in arts fields.

Mode of study

Doctoral candidates and their trainees perform in class. They lecture on topics regarding their doctoral thesis or material which they deal with in their profession. Interaction between the main protagonists and with the public is required. Sound samples, live music, projections, supplements with examples, guests, practical models, etc. are available to the candidates according to need.

Prerequisites and co-requisites

No requirements.

Course contents

Course subject for 1st and 2nd year master's study students together. The course takes place in 4 obligatory open meetings during the academic year, two per semester. The content is determined by the course instructor - a grad student and their advisor. The course is concluded with credit after each semester. This course serves for discussion before the final state exam in an artistic field.

The most frequent topics which may be substituted by written work (when participation in the classes is not fulfilled):

Survey of topics;

Preparations for performance activities

Preparations for interpretive performance

Manual, breathing, vocal technique

Particulars and differences in performance schools

Stage and studio practice

The nature of performance in orchestral, chamber, choral, soloist and recording practice.

Historical performance education

Particulars of the performance of music of the 2nd half of the 20th century

Pscyhological and methods requirements for performance

Interpretation performance as intellectual property and its relation to copyright

Exceptional performers of our past and present

The record of a music work and its performance presentation.

Assessment methods and criteria

Credit conditions: obligatory attendance in classes is a matter of course, but a minimum of 50% (one each semester). Credit is awarded by I. Bažantová in each semester of the master's study based on attendance. The students whose attendance is considered insufficient will fulfill a substitute task in the form of a text developed and defended in a professional discussion (of at least 4 pages for each semester, a minimum of 8 pages for the entire academic year) on some of the course curriculum points (see below).

Note

Course descriptions are to be posted (subject, study, course) in the vestibule or in your school email. Starting dates (when known) and scheduling are on the KOS system.

Schedule for winter semester 2018/2019:

Date	Day	Time	Tutor	Location	Notes	No. of paralel
20.11.2018		15:30–17:00	Ivana BAŽANTOVÁ	Galerie HAMU Lichenštejnský palác		parallel1

Schedule for summer semester 2018/2019:

The schedule has not yet been prepared

The subject is a part of the following study plans

Composition-Specialization electroacoustic music (Mg) (optional subject)
Composition-Specialization Film Music (Mg) (optional subject)
Composition-Specialization Composition (Mg) (optional subject)
Conducting (Mg) (optional subject)
Operatic Directing (Mg) (required main subject)
Voice (Mg) (required subject with the possibility of repeat registration)
Harpsichord (Mg) (required subject with the possibility of repeat registration)
Chamber Music (Mg)-Piano Trio (required subject with the possibility of repeat registration)
Piano (Mg) (required main subject)
Organ (Mg) (required subject with the possibility of repeat registration)
Harp (Mg) (required subject with the possibility of repeat registration)
Violin (Mg) (required subject with the possibility of repeat registration)
Chamber Music (Mg)-String Quartet (required subject with the possibility of repeat registration)
Double Bass (Mg) (required subject with the possibility of repeat registration)
Guitar (Mg) (required subject with the possibility of repeat registration)
Cello (Mg) (required subject with the possibility of repeat registration)
Viola (Mg) (required subject with the possibility of repeat registration)
Bassoon (Mg) (required subject with the possibility of repeat registration)
Flute (Mg) (required subject with the possibility of repeat registration)
Oboe (Mg) (required subject with the possibility of repeat registration)
Chamber Music (Mg)-Wind Quintet (required subject with the possibility of repeat registration)
Clarinet (Mg) (required subject with the possibility of repeat registration)
French Horn (Mg) (required subject with the possibility of repeat registration)
Trombone (Mg) (required subject with the possibility of repeat registration)
Trumpet (Mg) (required subject with the possibility of repeat registration)
Tuba (Mg) (required subject with the possibility of repeat registration)
Music Production (Mg) - 2016/17 (optional subject)
Music Directing (Mg) (optional subject)
Sound Design (Bc) (optional subject)
Sound Design (Mg) (optional subject)
Percussion Instruments (Mg) (required subject with the possibility of repeat registration)
Music Theory (Mg) (optional subject)
Chamber Performance (Mg) (required subject with the possibility of repeat registration)