Narrative Film Editing Practise 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 306NFE1 | Z | 4 | 100S | English | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The aim is to present editing as a creative process, forming the final form of a film. Aside from the necessary knowledge of the technology for its execution, editing is an important creating element requiring a specific manner of thinking about film. It is an inseparable complex part of the directing process. Therefore, editing cannot be viewed as an autonomous discipline, then it would only emphasize its technical aspects in the use of expression tools and techniques in joining individual shots into aesthetic dimensions. Editing is a form of communication taking place through a particular „concept“, „signature“, „edting style“ and a combination of skills.
Mode of study
This course is a workshop in which the students edit serveral various scenes from raw material of a selected feature film. This covers basic trade knowledge as well as editing aesthetic principles. The program is supplemented by a summaries in lectures and debates. This subject of investigation is the editing of the narrative of a feature film and its particulars.
Prerequisites and co-requisites
A basic knowledge of editing theory is required.
Course contents
The aim is to present editing as a creative process, forming the final form of a film. Aside from the necessary knowledge of the technology for its execution, editing is an important creating element requiring a specific manner of thinking about film. It is an inseparable complex part of the directing process. Therefore, editing cannot be viewed as an autonomous discipline, and then it would only emphasize its technical aspects in the use of expression tools and techniques in joining individual shots into aesthetic dimensions. Editing is a form of communication taking place through a particular „concept“, „signature“, „edting style“ and a combination of skills.
This course is a workshop in which the students edit serveral various scenes from raw material of a selected feature film. This covers basic trade knowledge as well as editing aesthetic principles. The program is supplemented by a summaries in lectures and debates. This subject of investigation is the editing of the narrative of a feature film and its particulars.
Editing is explored as an important narrative component requiring a method of thinking that is oriented specifically towards film and is and integral part of the complex proces of direction. Accompanied by debate and discussions, in the course students edit several scenes of raw materiál from a fiction film, and acquire basic knowledge of both the craft and the aesthetic principles of narrative film editing.
Recommended or required reading
Walter Murch: In the Blink of an Eye
Silman-James Pr; 2. revised edition (2001),
ISBN-10: 1879505622 | ISBN-13: 978-1879505629, 148 pages
Ralph Rosenblum and Robert Karen - When the shooting stops...the cutting begins
ISBN-10: 0306802724; ISBN-13: 978-0306802720
The Technique of Film Editing
Compiled by Karel Reisz, Gavin Millar Editioni llustrated Publisher Focal Press, 2010
ISBN 0240521854, 9780240521855 Length 346 pages
Assessment methods and criteria
Attendance
exercise completion
discussion
Note
none
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Fri | 09:00–12:15 | Martin ČIHÁK | Room No. 311 Lažanský palác |
lecture parallel1 |
The subject is a part of the following study plans
- Montage-1819 (required subject)