doc. RNDr. MgA. Martin ČIHÁK, Ph.D.
Courses
- Chapters from the History of Film Editing (Course guarantor)
- Chapters from the History of Film Editing 1 (Course guarantor)
- Chapters from the History of Film Editing 2 (Course guarantor)
- Chapters from the History of Film Editing 3 (Course guarantor)
- Commisional exam 1 (Course guarantor)
- Consulting and second opinion 1 (Course guarantor)
- Consulting and second opinion 2 (Course guarantor)
- Czech Avant-garde Film (Course guarantor)
- Editing: Consultation Workshop 1 (Course guarantor)
- Editing: Consultation Workshop 2 (Course guarantor)
- Editing: Documentary Film (Course guarantor)
- Editing Practice: 16mm (Course guarantor)
- Editing Practice: Avid (Course guarantor)
- Editing Workshop 1 (Course guarantor)
- Editing Workshop 2 (Course guarantor)
- Editing Workshop 3 (Course guarantor)
- Editing Workshop 4 (Course guarantor)
- Editing Workshop 5 (Course guarantor)
- Editing Workshop 6 (Course guarantor)
- Editing Workshop 7 (Course guarantor)
- Editing Workshop 8 (Course guarantor)
- Ermanno Olmi – Il Posto (Course guarantor)
- Film theory 1 (Course guarantor)
- History of Avant-garde Film (Course guarantor)
- Montage workshop 1 (Course guarantor)
- Narrative Film Editing Practise 1 (Course guarantor)
- Photoscreeplay (Course guarantor)
- Preparation for the Auteur Project (Course guarantor)
- Professional Activity 1
- Professional Activity 2
- Professional Activity 3
- Professional Internship
- Storyboarding (Course guarantor)
- Teaching Assistance 1
- Teaching Assistance 2
- Teaching Assistance 3
- Teaching practice 1
- Teaching Practice 2
- Teaching Practice 3
- The Theory of Editing 1 (Course guarantor)
- Workshop of Film Teaching 1 (Course guarantor)
Diploma thesis led and defended successfully
- Špidla Šimon – Práce s časem - Čas práce
- BcA. Toupalová Kristýna – Duch úlu - mezi historií, filmem a snem
- Vlčková Jana – Po stopách pojmu "Empatia diváka"
- BcA. Krajbich Josef – Fotocitlivá vrstva a její domácí připrava
- BcA. Vrána Tomáš – Mrtvý čas filmu
- BcA.MgA. Toupalová Kristýna – Pablo. G. del Amo - střihačské fragmenty
- BcA. Klímová Blanka – Optofonetické harmonie
- BcA. Klímová Blanka – Cebron
- BcA. Polenský Tomáš – Fotochemická trasformace kinematografického obrazu
- MgA. Mlynarič Martin – Filmové montážne štruktúry posvätna
- MgA. Týmal František – Eschatologie filmového pásu
- BcA. Böhm Michal – Kremličkiana - Léto s básníkem Vítem Kremličkou
- BcA. Böhm Michal – Maria Stock
- BcA. Hálová Nicole – Co si myslíš o zeleném čaji
- BcA. Jankovec Kryštof – Apollón, Dafné a tma
- Mgr.BcA. Pospíšil Matěj – Rolníci a rolničky audiovizuálního pole
- MgA. Krutský Dominik – 4/4 Preludium C dur
- BcA. Garduňo Rolando – ZROZENÍ A VÝZNAM FENOMÉNU TANCE V „ CINE DE CABARETERAS“ VRÁMCI MEXICKÉ KINEMATOGRAFIE
- MgA. Sánchez Calderón Jorge – Porod ve filmu: Reprezentace, funkce a význam.
- BcA. Hrdlička Josef – Komparace vnitrozáběrové montáže v jednozáběrových filmech Provaz a Victoria
- MgA. Krutský Dominik – Poznámky k psychologii filmové montáže narativních struktur
- MgA. Klímová Blanka – Galaxie Kainnu
- MgA. Klímová Blanka – Massive Kathak
- MgA. Böhm Michal – Horkej den
- MgA. Elšík Tomáš – Central bus station