| 101PMHP2 |
Advanced methods of musical programming, synthesis and live electronics 2
|
Czech |
|
|
|
|
ZK |
3 |
3T |
|
| 107ZM1 |
Basics of Dance Management 1
|
Czech |
|
Z |
3 |
2ST |
|
|
|
|
| 107ZM2 |
Basics of Dance Management 2
|
Czech |
|
|
|
|
Z |
3 |
2ST |
|
| 108KTI1 |
Communication techniques for interpretative Fields 1
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 108KTI2 |
Communication techniques for interpretative Fields 2
|
Czech |
Wed
12:00–13:30
Galerie HAMU |
|
|
|
Z |
1 |
2T |
|
| 101MVAA |
Composer's album release as process
|
English, Czech |
10:00–12:00
|
|
|
|
Z |
1 |
2P |
|
| 101KPEA1 |
Composition Practical of Electroaccoustic and Multimedia Music 1
|
Czech |
|
Z |
3 |
2T |
|
|
|
|
| 108RSP3 |
Compositions Analysis for Music production 3
|
Czech |
|
Z |
5 |
2T |
|
|
|
|
| 101DANA3 |
Conteporary Acousic Arts - history and analysis 3
|
Czech |
|
Z |
3 |
2T |
|
|
|
|
| 107DTV1 |
Didactics of Dance Education 1
|
Czech |
|
Z |
2 |
2ST |
|
|
|
|
| 106VSH3 |
Double Reed Production (Oboe) 3
|
Czech |
|
Z |
1 |
1T |
|
|
|
|
| 171ZZTH |
Fundamentals of Sound Technology for Musicians
|
Czech |
|
ZK |
1 |
1T |
|
|
|
|
| 107HT1 |
Historical Dances 1
|
Czech |
|
Z |
2 |
2CT |
|
|
|
|
| 107HT2 |
Historical Dances 2
|
Czech |
|
|
|
|
Z |
2 |
2CT |
|
| 101DANA1 |
History and analysis of contemporary acoustic art 1
|
Czech |
|
Z |
2 |
2T |
|
|
|
|
| 107DHT1 |
History of dance music 1
|
Czech |
|
Z |
2 |
2T |
|
|
|
|
| 171LH |
Human voice
|
Czech |
|
|
|
|
Z |
2 |
2T |
|
| 101IMPE |
Improvisation and Performance
|
Czech |
|
ZK |
2 |
BLOK |
ZK |
2 |
BLOK |
|
| 108TI1 |
Interpretation Theory 1
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 108TI2 |
Interpretation Theory 2
|
Czech |
Mon
13:30–15:00
Učebna 2017 |
|
|
|
ZK |
1 |
2T |
|
| 101IP |
Interpretive Practice
|
Czech |
|
Z |
1 |
1T |
Z |
1 |
1T |
|
| 171UAH |
Introduction to acoustics for Musicians
|
Czech |
|
ZK |
2 |
2PT |
|
|
|
|
| 101MUVT |
Introduction to vocal techniques
|
Czech |
–
|
|
|
|
Z |
1 |
2P |
|
| 174MJP |
Jazz & Pilgrimage
|
English, Czech |
14:00–16:00
Ateliér HAMU
|
|
|
|
Z |
1 |
2DS |
|
| 107LAP1 |
Laban movement analysis / dance movement therapy 1
|
Czech |
|
Z |
2 |
1T |
|
|
|
|
| 107LAP2 |
Laban movement analysis / dance movement therapy 2
|
Czech |
|
|
|
|
Z |
2 |
1T |
|
| 100EHA2 |
Music Analysis 2
|
English |
Mon
10:50–12:00
Učebna 2057 |
|
|
|
Z |
2 |
2T |
|
| 186HTD1 |
Music Theory - Diploma Seminar 1
|
Czech |
|
|
|
|
Z |
2 |
2T |
|
| 186HAS2 |
Music and word
|
Czech |
Thu
15:20–16:50
Učebna 2017 |
|
|
|
Z |
1 |
2T |
|
| 186HAS3 |
Music and word
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 186HAS5 |
Music and word
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 186HAS4 |
Music and word
|
Czech |
Thu
17:00–18:30
Učebna 2017 |
|
|
|
Z |
1 |
2T |
|
| 186HAS6 |
Music and word
|
Czech |
|
|
|
|
Z |
1 |
2T |
|
| 186HAS1 |
Music and word
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 108HTM1 |
Music-theoretical Minimum 1
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 108HTM3 |
Music-theoretical Minimum 3
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 107KPP2 |
Pedagogical Psychology 2
|
Czech |
|
|
|
|
ZK |
3 |
10PS |
|
| 107PPII1 |
Pedagogical Psychology II 1
|
Czech |
|
Z |
2 |
2T |
|
|
|
|
| 107PPII2 |
Pedagogical Psychology II 2
|
Czech |
|
|
|
|
ZK |
2 |
2T |
|
| 107PEDG1 |
Pedagogy - for Dance field 1
|
Czech |
|
Z |
3 |
2T |
|
|
|
|
| 107PEDG2 |
Pedagogy - for Dance field 2
|
Czech |
|
|
|
|
Z |
3 |
2T |
|
| 108PED1 |
Pedagogy 1
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 107PI1 |
Pilates 1
|
Czech |
|
Z |
2 |
2T |
|
|
|
|
| 107PI2 |
Pilates 2
|
Czech |
|
|
|
|
Z |
2 |
2T |
|
| 108PSY1 |
Psychology 1
|
Czech |
|
Z |
1 |
2T |
|
|
|
|
| 101SFHU1 |
Stage and Film Music 1
|
Czech |
|
Z |
2 |
2T |
|
|
|
|
| 101SFHU3 |
Stage and Film Music 3
|
Czech |
|
Z |
2 |
2T |
|
|
|
|
| 101SFHU4 |
Stage and Film Music 4
|
Czech |
|
|
|
|
ZK |
2 |
2T |
|
| 100STUDIO |
Studio N
|
Czech |
|
Z |
1 |
2T |
Z |
1 |
2T |
|
| 101ISH |
The Interpretation of the contemporary Music - practice
|
Czech |
|
Z |
2 |
2/LT |
Z |
2 |
2/LT |
|