OPTIONAL COURSES CINEMATOGRAPHY
Hide subjects not taught in the current semester
| Code | Course Name | Language Instruction | Schedule | WINTER SEMESTER | SUMMER SEMESTER | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Tutor | completion | ECTS | range | completion | ECTS | range | ||||
| 300MCR | Carlos Reygadas and his creative method |
English | Z | 1 | 4S | Subject is not scheduled | ||||
| 311CEW | Central European Cinemas within the Context of the World Cinema | English | ZK | 3 | 4T | |||||
| 300MDCHW | Cinematographer Days David Chambille Masterclass and workshop | English | Z | 2 | 60SS | |||||
| 304MCGP | Cinematography Guest - Ben Page |
English | Z | 1 | 2SS | Subject is not scheduled | ||||
| 304MCGB | Cinematography Guest - Bill Turnley |
English | Z | 1 | 2SS | Subject is not scheduled | ||||
| 304MCG | Cinematography Guests |
English | Z | 1 | 2S | Subject is not scheduled | ||||
| 304MCGL | Cinematography Guests - Samir Ljuma | English | Z | 1 | 4S | |||||
| 304MKVM | Confrontation - Václav Marhoul and Vladimír Smutný |
English, Czech | Z | 1 | 3S | Subject is not scheduled | ||||
| 311CTP2 | Cultural Topography of Prague 2 | English | Fri 09:30–13:00 |
Z | 1 | 25S | ||||
| 304EMDC | Digital Compositing |
English | Z | 1 | 2T | Subject is not scheduled | ||||
| 304MFLE | Film Language Essentials |
English | Z | 1 | 2T | Subject is not scheduled | ||||
| 311MOAO | Opportunities for Foreigners in Czech Film Industry | English | 09:50–14:45 Room No. 2 |
Z | 1 | 10SS | ||||
| 311PHN | Photonarration | English | see detail | Z | 1 | 10S | Z | 1 | 10S | |
| 307EPC2 | Picture and its context 2 | English | Thu 09:50–12:15 Projection Room |
Z | 2 | 2T | ||||
| 311MPWM1 | Postproduction Workflow Module I (digital) | English | Z | 1 | 1D | |||||
| 311MPWM2 | Postproduction Workflow Module II (film) | English | Z | 2 | 1/D | |||||
| 303MPONA | Preparation and organization of filming in the studio | English, Czech | Z | 1 | 3SS | |||||
| 311REM | Realm of Montage | English | Thu 12:20–15:35 Room No. 1 |
ZK | 3 | 4T | ZK | 3 | 4T | |
| 311SA1 | Script Analysis 1 | English | Z | 3 | 3T | Z | 3 | 3T | ||
| 311SAL2 | Script Analysis 2 | English | Tue 10:40–13:55 Room No. 2 |
ZK | 3 | 3T | ||||
| 311SFP1 | Short Film Practical Analysis: Directing 1 | English | ZK | 3 | 2T | |||||
| 311SFP2 | Short Film Practical Analysis: Directing 2 | English | Mon 19:00–22:15 Room No. 1 |
ZK | 3 | 2T | ||||
| 311SAE | Soundtrack Aesthetics | English | Tue 18:10–19:45 Room No. 1 |
Z | 2 | 2T | Z | 2 | 2T | |
| 304MLF | THE LARGE FROMAT SENSOR AND ITS IMPACT ON FILM LANGUAGE |
English | Z | 1 | 3S | Subject is not scheduled | ||||
| 304MVSNF | Worshop - Visual Style in Independent Filmmaking | English, Czech | Tue 19:50–21:25 Room No. 221 |
Z | 1 | 30S | ||||