doc. MgA. Slavomír HOŘÍNKA, Ph.D.

Email

slavomir.horinka@hamu.cz

👤 Teacher's web page

Teacher's web page

www.horinka.cz

Courses

• Composition 1
• Composition 1
• Composition 10
• Composition 2 (Course guarantor)
• Composition 2
• Composition 3
• Composition 4 (Course guarantor)
• Composition 5
• Composition 6 (Course guarantor)
• Composition 7
• Composition 7
• Composition 8
• Composition 8
• Composition 9
• Composition Seminar 1
• Composition Seminar 10
• Composition Seminar 2
• Composition Seminar 3
• Composition Seminar 4
• Composition Seminar 5
• Composition Seminar 6
• Composition Seminar 7
• Composition Seminar 8
• Composition Seminar 9
• Diploma Seminar 1
• Diploma Seminar 2
• Diploma Seminar 3
• Environmental day at AMU 2021 (Course guarantor)
• Historical Study Composition 1
• Historical Study Composition 2
• Historical Study Composition 4
• Historical Study Composition 5
• Historical Study Composition 6
• Improvisation and Performance (Course guarantor)
• Instrumental Training
• Instrumentation 1 (Course guarantor)
• Instrumentation 2 (Course guarantor)
• Instrumentation 3 (Course guarantor)
• Instrumentation 4 (Course guarantor)
• Instrumentation 5 (Course guarantor)
• Instrumentation 6 (Course guarantor)
• Instrumentation I. 1 (Course guarantor)
• Instrumentation I. 2 (Course guarantor)
• Instrumentation I. 3 (Course guarantor)
• Instrumentation I. 4 (Course guarantor)
• Lectures of Guest of Composition Departmant (Course guarantor)
• Lectures of Guest of Composition Departmant SS (Course guarantor)
• Notation 1 (Course guarantor)
• Notation 2 (Course guarantor)
• Orchestration for Conducting Programme 1
• Orchestration for Conducting Programme 2
• Orchestration II. 1 (Course guarantor)
• Orchestration II. 2 (Course guarantor)
• Poněšice Contemporary Music Workshop
• Poněšice Contemporary Music Workshop
• The Interpretation of the contemporary Music - practice (Course guarantor)
• Theory and Interpretation of Gregorian Chant (Course guarantor)

Diploma thesis led and defended successfully

• BcA. Wiesner Martin – Smyčcové kvarteto a orchestr.
• BcA. Zabelau Raman – Využití amplifikovaného akordeonu v soudobé hudbě
• MgA. Zabelau Raman – Konstrukce vnitřního mikrofonního systému pro akordeon a možnosti jeho využití
• MgA. Kliment Henrich – Prevod zmyslových vnemov do hudby ako zdroj inšpirácie skladatel'a
• BcA. Hapka Haštal – Inspirace vybranými prozodickými aspekty mluvené řeči v hudební kompozici
• BcA. Nesit Pavel – Japonská tradiční hudba jako inspirační zdroj skladatele
• MgA. Zochr Vratislav Ph.D. – Drnkací nástroje loutnového a citerového typu arabského a hindustánského kulturního okruhu v současné kompozici