doc. Mgr. Tomáš DVOŘÁK, Ph.D.
Courses
- Artistic Project: Artistic research and analyse 2 (Course guarantor)
- Artistic Project: Creation of Visual Project 2 (Course guarantor)
- Artistic Project: Theoretical Introduction to the Theme 2 (Course guarantor)
- Artistic Project: Verbal Explication and Presentation 2 (Course guarantor)
- Autumn master´s practical class: Creation of visual project
- Autumn master´s practical class: Theoretical introduction
- Autumn Master´s Practical Class: Theoretical Introduction
- Bachelors Thesis Seminar 1 (Course guarantor)
- Bachelors Thesis Seminar 2 (Course guarantor)
- Contemporary photography and art 1
- Contemporary Photography and Art 1
- Contemporary photography and art 2 (Course guarantor)
- Contemporary Photography and Art 2 (Course guarantor)
- Contemporary Photography and Art 2 (Course guarantor)
- Contemporary Photography and Arts 1 (Course guarantor)
- Contemporary Photography and Arts 2 (Course guarantor)
- Creative Project: Theoretical Introduction to the Theme 2 (Course guarantor)
- Diploma Thesis Seminar 1 (Course guarantor)
- Diploma thesis seminar 2 (Course guarantor)
- Doctoral seminar 3
- Grant project preparation
- History and theory of photography 1 (Course guarantor)
- History and Theory of Photography 1 (Course guarantor)
- History and theory of photography 2 (Course guarantor)
- History and Theory of Photography 2 (Course guarantor)
- History and Theory of Photography 2 (Course guarantor)
- History and Theory of Photography 2
- Master thesis seminar 1 (Course guarantor)
- Master Thesis Seminar 1 (Course guarantor)
- Master Thesis Seminar 1
- Master thesis seminar 2 (Course guarantor)
- Master Thesis Seminar 2 (Course guarantor)
- Master Thesis Seminar 2
- Preparation for the artistic part of the final project (Course guarantor)
- Seminar on the Final Bachelor Thesis 1 (Course guarantor)
- Seminar on the Final Bachelor Thesis 2 (Course guarantor)
- Seminar on the Final Master Thesis 1 (Course guarantor)
- Seminar on the Final Master Thesis 2 (Course guarantor)
- Spring master´s practical class: Theoretical introduction
- Spring Master´s Practical Class: Theoretical Introduction (Course guarantor)
- Summer master´s practical class: Theoretical introduction
- Summer Master´s Practical Class: Theoretical Introduction (Course guarantor)
- Texts and Contexts (Course guarantor)
- Texts and Contexts 1 (Course guarantor)
- Texts and Contexts 2 (Course guarantor)
- Texts and Contexts 2 (Course guarantor)
- Winter master´s practical class: Theoretical introduction
Diploma thesis led and defended successfully
- Stecker David – Význam fotografie v kontextu dějin umění a v kontextu vizuálních studií
- Mlynarič Martin – Fotografia a posvätno
- BcA. Puc Jurij – The Misinterpretation of the Image of Middle East in the Media
- Tesař Jan – Spiritistická fotografie
- Kundera Jan – Teologicko-estetické konvence v díle J. P. Witkina, Cindy Sherman, Ivana Pinkavy a Václava Jiráska
- Sadovski Katarina – Slovenian Art after the year 1980 and the group Irwin
- Kumermann David – Dokumentární fotografie
- Kunovski Filip – Between Photography and Video
- MgA. Yu Xiang – What Does Today's Image Record.
- MgA. Czanderle Michal – Současné umění po Late Photography.
- BcA. Levitner Šimon – Google street view v současné fotografii
- Laytadze Lali – Bezkamerové násilí
- BcA. Helcel Oskar – Tvář jako index
- BcA. Zheng Minghui – THE CONSUMPTION OF BANALITY: live-streaming China
- MgA. Šemíková Petra – Stanislav Sucharda – fotografie a socha
- BcA. Sieberová Marie – Hlas zvířat v současné české fotografii
- BcA. Lee Martin – Vicarious Trauma
- Ševčíková Natálie – Okno jako fotografický motiv a objekt v české fotografii
- Smirnov Evgenii – Infrared imaging as artistic means in photography
- BcA. Šatunova Varvara – Střižna jako „black box“ a střih jako gesto:
- BcA. Tulinger Jakub – Dokumentární nejistota obrazu
- BcA. Ullspergerová Alice – Evoluce v simulaci
- BcA. Vopátková Anna – Transparentní fotografie
- MgA. Rossa Alexander – Creative Applications of Machine Learning in Photography
- MgA. Fonina Ekaterina – Opaque Motion: Dance Movement and Optical Unconscious
- MgA. Amico Michael – Images of Masculinity in U.S. Conservative Politics
- BcA. Pavlík Jakub – Fenomén Cursed images a jeho povaha v digitální kultuře
- BcA. Sprawka Cyprian – The Impact of Artificial Intelligence on the Art Market
- MgA. Červená Dominika – Remediace: Fotokniha v digitálním věku
- MgA. Smažinka Borek – Umělecké dílo jako model
- MgA. Procházka Jiří – Cézannova jablka a černobílá reprodukce
- MgA. Pavel Anna – Re-enchanted Images
- BcA. Lin Yu-Cheng – Thomas Demand: Manipulation of Photography and Semiotics
- MgA. Tulinger Jakub – Promluva hmotných důkazů v době post-faktické
- BcA. Klimešová Eliška – Bezkamerová fotografie krajiny:
- MgA. Hon Hang Kwan – The affection of NFT product in the Modern aesthetics
- MgA. Ma Michael – 08. Bun Bo Nam Bo
- MgA. Philippon Lisa – Consumption of photography in a digital world: the case of mass photography
- Deb Ranaji – Representation of Suicide Across Media & Cultures
- BcA. Smodej Josip – FOTOPUBES
- MgA. Kuklišová Lucia – Vývoj designu fotografických prístrojov
- BcA. Tvarůžka Václav – Zvíře u Garryho Winogranda
- MgA. Aslanidou Georgia – The role of Landscape Photography in establishment of National Parks
- MgA. Karčáková Ineza – Estetika astronomickej fotografie
- Smažinka Borek – Dohled a umění
- MgA. Janeček Richard – Fotogrammetrie a socha
- MgA. Xu Yeting – The "Phantom" in photography
- Sarbakhshian Hassan – Iranian Jews and Their Family Photo Albums