Digital Workflow 1
| Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
|---|---|---|---|---|---|
| 304EDW1 | zápočet | 1 | 2 hodiny výuky týdně (45 minut), 4 až 9 hodin domácí příprava | česky | letní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Katedra
Předmět zajišťuje Katedra kamery
Obsah
The course focuses on the basic theoretical and practical knowledge of the digital image data processing process - digital workflow - during shooting and post-production.
The whole issue is presented mainly from the point of view of the cinematographer, The future cinematographer should be able to assess the chosen workflow and have a dialogue with other members of the crew and the post-production studio.
1.Compression, bit rate, bit depth, data formats, frame rate, resolution, and aspect ratios
2.Chroma subsampling, RAW, Log data, Lin data, Bayer pattern, Data and Video levels
3.Parameters of modern digital cameras and their setup; sensitivity of digital cameras; low-light shooting challenges, data formats, and codecs
4.Fundamental color theory—color space, gamut, REC709, P3, and REC2020 color spaces; Gamma, EOTF, OETF, PQ, SDR, and HDR
5.Digital workflow overview—on-set, dailies, edit, grading, delivery
6.Fundamentals of Color Management
7.Color LUTs and 3D LUTs; creation and modification of LUTs, software for working with LUTs, DaVinci Resolve (hands-on practice in the LDK studio)
8.On-set workflows in detail—monitoring, in-camera look management; Digital Dailies—media preparation for daily rush screenings and off-line editing
9.Grading and Color Management in detail—selecting a working color space, setting up proper image monitoring in post-production, applying LUTs or ASC CDL
10.The ACES color space and its applications: IDT, LMT, RRT, ODT; basic ACES workflow
11.Practical demonstration of current projects, their project settings, and post-production workflows with a colorist (studio i/o post or similar)
202609
Výsledky učení
The aim of the course is to orient students - future cinematographers in the problems of shooting with a digital camera and its basic technical setup, in the problems of digital post-production and distribution. It focuses on the critical stages of the whole process, on maintaining the consistency of color rendering from shooting to the final presentation and distribution of the work.
Students will be introduced to basic concepts and practical tools such as Camera Look, 3D LUT, ASC CDL. They will know what color management is and be able to use it properly in the shooting and post-production of their departmental and collaborative exercises.
The course includes practical exercises and a visit to specialist workplaces.
Předpoklady a další požadavky
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Literatura
software dealing with the subject
Hodnoticí metody a kritéria
Credit is earned on the basis of the student's active participation during the course and passed the test.
Poznámka
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Rozvrh na zimní semestr 2026/2027:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Datum | Den | Čas | Vyučující | Místo | Poznámky | Č. paralelky |
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| Út | 10:40–12:15 | Michal ČERNÝ | Laboratoř dig. kinematogr. Lažanský palác |
přednášková par. 1 |
Rozvrh na letní semestr 2026/2027:
Rozvrh zatím není připraven
Předmět je součástí následujících studijních plánů
- Cinematography_3_2021 (Povinné předměty)