Camera in Documentary Film 2
| Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
|---|---|---|---|---|---|
| 304CDF2 | zápočet | 2 | 2 hodiny výuky týdně (45 minut), 32 až 42 hodin domácí příprava | anglicky |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Katedra
Předmět zajišťuje Katedra kamery
Obsah
TOPICS FOR SEMINARS
History of Documentary film –
1970- 1980 Errol Morris, Chris Marker, Wim Wenders, Kazuo Hara.
1990-present
Michael Moore, Agnes Varda, European Doc Film. Nikolaus Geyrhalter , Thomas , Roberto Minervi ,
Documentary Modes
Expository, observatory, participatory, poetic, reflexive, performative, interacitve
Grand Scale
After the Quatsy Trilogy : Viktor Kossakovski - https://dafilms.cz/film?q=victor+kossakovsky
Anatomy of a doc – (interview, testimonial, dialogue, coverage, b-rool. a-roll, illustration, poeti metaphore, description, reportage, combining styles and modes. )
Documentary film and Ethics – how to approach your social actor Minervini vs Klusák (Daliborek ), Shoah, Meeting the Man: James Baldwin in Paris, social docs
Camera Gear– discussing different documentary packages, cameras used in Sundance docs,
Interview – how to setup an interview in different situations for different formats.
Documentary Portrait of a person - different approaches to a portrait
Current documentay content, How to with John Willson, Youtube content creators
Shooting in extreme conditions Films Visitors, plus online with the dop or dir. if possible
Commercial the work of DOP in Commercials
Each seminar will have a section where students will analyse a doc. film of their choice
Výsledky učení
Seminars in the second semester will develop further the systematic preparations of Camera Dept. students to position as the DoP for shooting a documentary film.
We will discuss basic lighting principles and use of evailable light in documentary genres.
Different formats and styles of shooting in ragrd to the size of the project and the crew will be also discussed.
We will analyse different approaches to documentary film and different modes. The screenings of excerpts of relevant examples will continue and also the the students will bring their own picks for discussion.
Besides the regular seminars there will be seminars with international and local gusts and mentors. These included in the past Joao Atala, Brazilian cinematographer of an Oscar winning documentary, Samir Luma, cinematographer of Honey Land and others.
Předpoklady a další požadavky
The students will watch the films in their entirety selected for this seminar prior to the analysis sessions in order to formulate their opinion on the narrative and camera style.
Literatura
Bill Nichols Introduction to Documentay , Indiana University Press,
https://documentaryheaven.com/
http://www.documentaryguide.com/
http://www.documentaryfilms.net/
Hodnoticí metody a kritéria
Credit is awarded based on: active participation in class + 80% attendance
Webová stránka předmětu
https://dafilms.cz/
https://documentaryheaven.com/
http://www.documentaryguide.com/
https://www.bhphotovideo.com/
http://www.documentaryfilms.net/
Poznámka
no
Rozvrh na zimní semestr 2024/2025:
|
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
|
|
|---|---|
| Po |
|
| Út |
|
| St |
|
| Čt |
|
| Pá |
|
| Datum | Den | Čas | Vyučující | Místo | Poznámky | Č. paralelky |
|---|---|---|---|---|---|---|
| Út | 15:40–17:15 | Michal BAUMBRUCK | Sborovna KK Lažanský palác |
přednášková par. 1 | ||
| Út | 15:40–17:15 | Michal BAUMBRUCK | Sborovna KK Lažanský palác |
přednášková par. 1 |
Rozvrh na letní semestr 2024/2025:
Rozvrh zatím není připraven
Předmět je součástí následujících studijních plánů
- Cinematography_3_2021 (Povinné předměty)
- Kamera - bakalář_2021 (Povinné předměty)