Didactics and Methodology of Classical Ballet Technique 10

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Code Completion Credits Range Language Instruction Semester
107EDMC0 exam 3 2 seminar hours (45 min) of instruction per week, 54 to 69 hours of self-study English summer

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Contents

Learning objective:

The course offers a systematic development of all the elements discussed so far based on the system A. J. Vaganova, with special emphasis on working with dynamics and energy of movement, working with tension and relaxation. Movement in classical dance is taught to be perceived more deeply than just as a technique based on a particular form.

On the basis of mastering new elements, students create combinations within the 7th and 8th grade curriculum that are already very technically demanding and then move towards teaching in professional dance companies.

The musical accompaniment is very varied and the tempo of some combinations is already very fast.

The purpose of practicing and analyzing the individual elements, including leading the whole lesson, is to learn, fix and develop pedagogical approaches in accordance with the ability to create a proper creative and communicative atmosphere.

The emphasis is on an individual approach to each student.

Thematic areas:

-Use of the „Franklin Method“ and Dance Medicine.

-Analyzing, analyzing and practicing new elements of a'la barre and au milieu within the curriculum of the 7th and 8th grade eight-year dance classes.

-Analysis of pedagogical presentation and peer feedback, both from the teacher and the students.

Analysis of new elements of allegro (indicative list):

allegro:

-grand sissonne: renversé, ouverte en tournant from place, tombé en tournant, all kinds of grand pas jeté passé, grand jeté ballotté, grand jeté renversé, grand jeté en tournant, entrelacé, all kinds of grand gabriole, grand fouetté sauté, grand assemblé, brisé en tournant, temps de cuise, pas de ciseaux, grand pas de basque, grand saut se basque, revoltade, all kinds of tours en l air

Learning outcomes

The student develops a practical and theoretical knowledge of classical dance methodology at the elementary, intermediate and intermediate stages of training (grades 1-8). The future dance teacher begins to work within the most technically demanding stage of teaching, slowly beginning to prepare for teaching professional classical dance artists. He/she is able to conduct classical dance classes independently within the advanced stage of teaching.

Prerequisites and other requirements

none

Literature

Required reading:

TARASOV, Nikolai. Ballet Technique for the Male Dancer. New York: Doubleday Company, 1985. ISBN 780385184489.

VAGANOVA, Agrippina. Basic Principles of Classical Ballet. New York: Dover Publications, 1989. ISBN 978-0486220369.

WARREN, Gretchen Ward. Classical Ballet Technique. Florida: University of South Florida Press, 1989. ISBN 9780813009452.

Recommended reading:

GASTON, Marilyn. Ballet Pedagogy, Create Space Independent Publishing Platform, 2017. ISBN 9781973888604.

GRANT, Gail. Technical manual and dictionary of classical ballet. 2. revised edition. New York: Dover Publications, 1967.

SCHORER, Suki. Suki Schorer on Balanchine Technique. Florida: University Press of Florida, 2006. ISBN 9780813029771.

E-learning: https://www.moodle.amu.cz

YOU TUBE links

Dance Departement diploma thesis

Evaluation methods and criteria

Credit is awarded on the basis of practical and theoretical knowledge of the elements à la barre and au milieu and their methodological analysis within the curriculum of the 7th and 8th grade of the 8-year dance high school education.

Other requirements:

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans