Folk Dance Training 2
Subject is not scheduled Not scheduled
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 107FDT2 | credit | 2 | 2 exercise hours (45 min) of instruction per week, 29 to 39 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Contents
The teaching of basic steps, dances and songs takes place in practical lessons, where the emphasis is on the technical mastery of individual dances and their basic steps, on the knowledge of the text and the melody of the accompanying song. The course extends the knowledge of the basic steps of folk dances of Bohemia, Moravia and Silesia. The basic folk dances from the core regions are introduced. An outline of the development and distribution of dances across ethnographic regions.
Basic dance steps: theoretical, practical and technical mastery of the dance steps which are common to most ethnographic regions in terms of their movement basis. Different ways of combining and combining these steps based on the records in collections of folk dances.
Thematic areas:
1)Steps of 2/4 rhythm: walk, polka step, hopping step, smooth straddle, hopping straddle, two-step and two-step turn steps of South Bohemian „kolečka“ (wheels).
2)Steps of 3/4 rhythm: three-step, divided three-step, mazurka (for three steps, for two steps, for one step).
3)Sousedská walk out, Sousedská smooth, Sousedská sliding, three-beat steps of South Bohemian „koleček“ (wheels), hold back step.
4)All steps are repeated individually, then in pairs, first straight, in body filming and in rotation.
5)Division of dances according to history and individual types: Historical division of dances into dances with a loose connection to musical accompaniment, processional dances (choirs, ceremonial dances, male jumps), practicing at least one example of each type.
6)A younger layer of dances with a strong connection to musical accompaniment (so-called figure dances).
7)„Furiant“ and dances with a variable beat (mateníky, latováky, mixture...), their analysis, rhythmic, movement and musical preparation.
Learning outcomes
After completing the course, the student will demonstrate knowledge of basic dance steps, understand the differences in the performance of dance steps of different ethnographic regions, the dynamics and performance of individual dance steps, which will be presented in a simple etude.
Can work in pairs, trios and groups. Works with the dynamics of movement, understands the work of the centre of gravity, can link dance steps.
Prerequisites and other requirements
v přípravě
Literature
Recommended reading:
https://www.lidovakultura.cz/lidove-tance/seznam-video-nahravek/
BONUŠ, František a O'CONNOR, Edward J.P. a VOSTŘEZOVÁ, Inka. The Golden gate is open : 31 beginning of folk dances from the Czech and Slovak Republics for childrenand adults with DVD and CD. Volume I, II and III. Pinnacle: Edward J.P. O'Connor, 2012. ix, 294 s. ISBN 978-0-578-10551-2.
BONUŠ, František. Tance, písně a hudba plzeňského kraje. Praha: SNKLHU, 1955.
JELÍNKOVÁ, Zdena, BONUŠ, František, ed. a JEŘÁBEK, Richard. Valašské lidové tance. 1. vyd. Praha: SNKLHU, 1954. KOS, Bohumil. Lidové tance ve školní tělesné výchově: Metodická příručka pro učitele tělesné výchovy na školách 1. a 2. cyklu. 3. vyd. Praha: SPN, 1983.
MIŠUREC, Zdeněk, KOS, Bohumil a BONUŠ, František. Zbojnické písně a tance: instruktážní brožura pro pěvecké a taneční soubory. Praha: Naše vojsko, 1951.
Národní tance. Malá ř.; čís. 4. Socha, Vincenc: Lašské tance, vlastní náklad Lhotka 1950.
SEIDEL, Jan, ed., TREFIL, Václav, ed. a ŠPIČÁK, Josef, ed. Zahrajte mi do kola!: tance českého lidu. Praha: L. Mazáč, 1945.
VYCPÁLEK, Josef. České tance: 145 (s varianty 185) českých lidových tanců, které zejména na Rychnovsku, Choceradsku i Táborsku sebral a zevrubně (za účelem naučení). Praha: B. Kočí, 1921.
ZÁLEŠÁK, Cyril. Pohronské tance. 1. vyd. Martin: Osveta, 1953.
E-learning: https://moodle.amu.cz/course/view.php?id=310
Evaluation methods and criteria
Practical test of knowledge of at least two dances taught. Practical demonstration of dancing with singing.
Other requirements: attendance 75%.
Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Dance Pedagogy (BA) - Methods of Classical Ballet Technique - from 2023/24 (required subject with the possibility of repeat registration)
- Dance Pedagogy (BA) - Methods of Modern and Contemporary Dance - from 2023/24 (required subject with the possibility of repeat registration)
- Dance Pedagogy (BA) - Methods of Folk Dance - from 2023/24 (required subject with the possibility of repeat registration)