Modern Dance in Europe and America 2
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
107MDEA2 | exam | 3 | 1 lecture hours (45 min) of instruction per week, 65 to 80 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Dance Department
Contents
The lecture expands the knowledge of the history of dance, it is a detailed introduction to the development of dance in the modern period, focuses on the newly constituted dance style of the so-called expressive dance (Ausdruckstanz) in Europe and modern dance in America, its artistic, cultural and social context, its origins, forms and main personalities, it also puts the events in the Czech lands into the international context. The aim of the study is to introduce students to the thought context and artistic manifestations of dance modernism in Western culture, important for understanding the current situation of dance art, its forms and artistic attitudes.
Thematic areas:
- The Émile Jaques-Dalcroz school, its representatives, main characteristics and development, with emphasis on the work of Rosalie Chladek and Jarmila Kröschlová;
- The Rudolf Laban School: the theoretical work of Rudolf Laban (kinetography and movement analysis), artistic activity and its principles (choral dance, Bewegungschor); the most important pupils, Mary Wigman and the concept of absolute dance, Kurt Jooss and Tanztheater;
- Representatives of other movements of modern dance in Europe; overview of the development of modern dance in individual European countries, including Czechoslovakia; overlapping influences of European dancers in other parts of the world;
- Dance Modernism in America: The Denishawn School, its concepts, the personalities of Ruth St. Denis (Music Visualisation) and Ted Shawn (male dance);
- Martha Graham; Doris Humphrey and José Limón;
- The emergence of dance modernism in the 1950s and 1960s: Merce Cunningham and his influence on the transformation of dance modernism;
- From Dance Modernism to Postmodernism (Judson Church Group);
- The work of Pina Bausch and the „new German dance theatre“.
- Discussion of required readings and video clips
Learning outcomes
Understanding of the problems of one of the lines of modernism in dance art, understanding of the historical context, including the connection to contemporary events.
Prerequisites and other requirements
none
Literature
E-learning:
Required reading:
BANES, Sally. Terpsichore in Sneakers. Boston: Houghton Mifflin, 1980. ISBN 0395286891.
BURT, Ramsay. Alien Bodies. London, New York: Routledge, 1998. ISBN 0415145953.
HUMPHREY, Doris. The Art of Making Dances. New York: Grove Press, 1959.
MARTIN, John. Modern Dance. New York: Dance Horizons, 1972.
MAZO, Joseph H. Prime Movers Makers of Modern Dance in America. London: A&C Black, 1977. ISBN 9780713617375.
MILLE, Agnes de. Martha. The Life and Work of Martha Graham. New York: Random House, 1991. ISBN 0394556437.
ROBINSON, Jacqueline. Modern dance in France : an adventure 1920-1970. Amsterdam: Harwood academic publishers, c1997. ISBN 90-5702-016-5.
SHELTON, Suzanne. Divine Dancer: A Biography of Ruth St.Denis. Garden City, N. Y., 1981. ISBN 0385141599.
PARTSCH-BERGSOHN, Isa. Modern dance in Germany and the United States : crosscurrents and influences. Chur: Harwood academic publishers, c1994. ISBN 3-7186-5558-6.
THOMAS, Helen. Dance, Modernity and Culture. London, New York: Routledge, 1995. ISBN 978-0415087940.
Recommended reading:
BAXMANN, Inge. Mythos: Gemeinschaft. Körper- und Tanzkulturen in der Moderne. München: Wilhelm Fink Verlag, 2000. ISBN 3-7705-3366-6.
BENJAMIN, Walter. Umělecké dílo ve věku své technické reprodukovatelnosti. In: Benjamin, Walter. Výbor z díla I. Literárněvědné studie. Praha: Oikoymenh, 2009, s. 299–326. ISBN 978-80-7298-278-3.
BRANDENBURG, Hans. Der moderne Tanz. München: Georg Müller, 1921.
BRANDSTETTER, Gabriele; OCHAIM, Brygida Maria. Loie Fuller. Freiburg: Rombach, 1989. ISBN 9783793090526.
BROCKETT, Oscar G.. Dějiny divadla. Praha: Nakladatelství Lidové noviny, Divadelní ústav, 1999. ISBN 80-7106-364-9.
FOKIN, Michail. Protiv těčenija. Leningrad, Moskva: Iskusstvo, 1962.
GREMLICOVÁ, Dorota ed. Pozdní čas českého výrazového tance: Osobnosti, cesty, proměny po roce 1939. Sborník z konference. Pam pam speciál, 10, č. 3-16 (30), prosinec 2016. ISSN 1803-103X.
GREMLICOVÁ, Dorota. Isadora in Bohemian Spas. In: Remembering-Isadora Duncan-Emlékkönnyv. Budapest, 2002. ISSN 1586-4537.
GREMLICOVÁ, Dorota. Taneční umění na scénách Nového německého divadla v Praze/Die Tanzkunst am Neuen deutschen Theater Prag 1888–1938. Praha: Taneční listy; Státní opera Praha, 2002. ISBN 80-238-8488-3.
GREMLICOVÁ, Dorota. Traditional dance as a phenomenon inside the Czech modernism. In: INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC. Study Group on Ethnochoreology, DUNIN, Elsie Ivancich, ed., STAVĚLOVÁ, Daniela, ed. a GREMLICOVÁ, Dorota, ed. Dance, gender and meanings; Contemporizing traditional dance: proceedings of the 26th Symposium of the ICTM Study Group on Ethnochoreology 2010: Třešť, Czech Republic. Prague: Academy of Performing Arts, 2012, s. 241–248. ISBN 978-80-87112-64-9.
GREMLICOVÁ, Dorota; NEČASOVÁ, Natálie. Případ Zdenka Podhajská: Umělecký tanec v době moderny. Divadelní revue, 28, 2017, č. 1, s. 37-63. ISSN 0862-5409.
GREMLICOVÁ, Dorota; NĚMEČKOVÁ, Elvíra. Tanec a sport v době moderny. Souputníci a protivníci. In: ŠVÁCHA, Rostislav. StArt : sport jako symbol ve výtvarném umění. V Řevnicích: Arbor vitae ve spolupráci s Českým olympijským výborem a Ústavem dějin umění AV ČR, v.v.i., 2016, s. 193–199. ISBN 978-80-7467-089-3.
Grete Wiesenthal. Die Schönheit der Sprache des Körpers im Tanz. Salzburg, Wien: Residenz, 1985. ISBN: 3701704260.
JAQUES-DALCROZE, Émile. Rytmus. Praha: Průlom, 1927.
KLOUBKOVÁ, Ivana. Výrazový tanec v ČSR: Praha, Brno 1918-1945. Praha: Státní pedagogické nakladatelství, 1989.
KRÖSCHLOVÁ, Jarmila. Výrazový tanec, Praha: Orbis, 1964.
LABAN, Rudolf. Die Welt de Tänzers. Stuttgart: Seifert, 1920.
MÜLLER, Hedwig; STÖCKEMANN, Patricia. Jeder Mensch ist ein Tänzer. Ausdruckstanz in Deutschland zwischen 1900 und 1945, Gießen: Anabas-Verlag, 1993. ISBN 9783870382506.
NIETZSCHE, Friedrich. Zrození tragédie. Praha: Vyšehrad, 2014. ISBN 978-80-7429-434-1.
PETIŠKOVÁ, Ladislava a VANGELI, Nina. Čítanka světové choreografie. Praha: Konzervatoř Duncan Centre, 2005. ISBN 80-239-6412-7.
PIRCHAN, Emil. Harald Kreutzberg : sein Leben und seine Tänze. Wien: Frick, 1941.
SIBLÍK, Emanuel. Isadora. Praha: Aventinum, 1929.
SIBLÍK, Emanuel. Tanec mimo nás i v nás. Praha: Václav Petr, 1937.
VERNON-WARREN, Bettina; WARREN, Charles. Gertrud Bodenwieser and Vienna´s contributions to Ausdruckstanz. Harwood Academic Publishers, 1999. ISBN: 9057550350.
WEIDT, Jean. Auf der grossen Strasse: Jean Weidt. Erinnerungen. Berlin: Henschelverlag Kunst und Gesellschaft, 1984.
Video recordings: the Kylián Library (HAMU Library), or internet sources
BAUSCH, Pina. Café Müller.
BAUSCH, Pina. Svěcení jara. München: ZDF/3Sat, 1978.
CUNNINGHAM, Merce. Beach birds for camera.
Dancemakers : Martha Graham.
DUNCAN, Isadora. Isadora Duncan technique and repertory dance. Hightstown (NJ): Dance Horizons, 1995. 1 videodisk (DVD)
DUNCAN, Isadora. Isadora Duncan masterworks 1905-1923. Hightstown (NJ): Dance Horizons, 1995. 1 videodisk (DVD)
Německý výrazový tanec I. [s.l.]: [s.n.], [s.a.]. 2 videodisky (DVD) (245 min.)
FULLER SNYDER, Allegra. When the fire dances between the two poles : Mary Wigman 1886 - 1973.
HOFMANNSTHAL, Hugo von. Jedermann : Das Spiel vom Sterben des reichen Mannes. Salzburg: ORF, 2004. 1 videodisk (DVD) : (124 min.)
HOFMANNSTHAL, Hugo von. Jedermann Remixed : nach dem Spiel vom Sterben des reichen Mannes ; eine Zeitreise durch neun Jahrzeite Salzburger Fesspiele 1920 - 2010. Berlin: Arthaus Music, 2011. 1 videodisk (DVD) : (90 min.)
HUMPHREY, Doris. Two masterpeaces of modern choreography : With my red fires (1936) ; New dance (1935). Hightstown (NJ): Dance Horizons, 1999. 1 videodisk (DVD)
JOOSS, Kurt. European Dance Theater : an overview of its past and present including interviews and choreography by Kurt Joos and Pina Bausch. Hightstown (NJ): Dance Horizons, 1997. 1 videodisk (DVD)
JOOSS, Kurt. Zelený stůl : Tanec smrti v osmi obrazech.
LÁBÁN, Rudolf. Living Architecture : Rudolf Laban and the Geometry of Dance. London: Anna Carlisle and Valerie Preston-Dunlop, 2008. 1 videodisk (DVD)
LÁBÁN, Rudolf. Laban Dance Works : re-creations from his chamber dance repertoire 1923-1928. London: Laban Centro for Movement and Dance, 1992. 1 videodisk (DVD)
PARTSCH-BERGSOHN, Isa. The Makers of moderne dance in Germany. Part I, 1900 to 1936.
PARTSCH-BERGSOHN, Isa. The Makers of moderne dance in Germany. Part II, 1936 to 1979.
PARTSCH-BERGSOHN, Isa. The Makers of moderne dance in Germany : Rudolf Laban, Mary Wigman, Kurt Joos. Hightstown (NJ): Dance Horizons, 2001. 1 videodisk (DVD)
Evaluation methods and criteria
Oral examination covering the material from Modern Dance Directions 1 and 2 (2 questions, one related to a specific personality and his/her work, one contextual - 90%; submitted extracts from the required literature 10%).
Attendance (75%).
Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Dance Pedagogy (BA) - Methods of Classical Ballet Technique - from 2023/24 (Required subjects with the possibility of repeat registration)
- Dance Pedagogy (BA) - Methods of Modern and Contemporary Dance - from 2023/24 (Required subjects with the possibility of repeat registration)
- Dance Pedagogy (BA) - Methods of Folk Dance - from 2023/24 (Required subjects with the possibility of repeat registration)