Rainbow 3
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 304CRB3 | credit | 1 | 2 hours (45 min) of instruction per week, 4 to 9 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Department of Cinematography
Contents
Local colour ranges, atmospheres, concept of space. Information and emotion. Solutions for light and tonality. The sequence and linking of shots. Static and kinetic characteristics of motifs. Relationships between the visual and dramatic concepts of the film. Visual-dramatic interpretation of imagery. Dramatic figure as an object of visual and dramatic stylisation. The scene, costume, masque. A figure viewed within the scene image. Variable situation component. Internal and external meanings. Expressive tendencies. Meaningful compositions. Impact and dominants prepared. Overall colour dramaturgy of fiction films.
Parto of the Seminar is „Pictures 3“
Part of the preparation of the Rainbow Exercise
Dramaturgy of colour relationships in a short simple-story photographic study.
The significance of environmental, costume and lighting colour variations in the context of the literary subject development.
Assignment:
The student conducts a short photographic study based on his/her own simple story featuring three figures in the environment of varying colour range and dramatic quality.
Structure of the story:
Throughout the plot development, the colour range of the figure gradually changes in the context of their interrelationships and connections to their respective or opposite environments.
Figure one is opposed to Figure Two while Figure Three is neutral at the beginning. Environment One is associated with one of the figures while Environment Two is variable as the student chooses.
Completion of the exercise:
Photographs (max.25 shots, 9 x 13 format), digital form, to be printed into storyboard with a brief story description attached. The value of the shots must be obviously visible.
To be handed in by November 15th
NO SEMINAR PAPER WILL BE ACCEPTED AFTER THE DEADLINE.
Picture 3 is the crucial part of the non-graded exam of Rainbow.
Learning outcomes
Mastering the craft of a cameraman
Prerequisites and other requirements
General cultural awareness and sensitivity in relation to the world of colour around us. Absolute dedication to the profession of cameraman to relate to and interpret any film work in its entirety.
Literature
David Hopkins: After modern art : 1945-2000, Oxford : Oxford University Press , 2000, ISBN: 0-19-284234-X
Jacinto Lageira ; [transl. from French by Simon Knight]: Centre Pompidou, the national Museum of modern art : paintings and sculptures, Paris : SCALA :, Centre Georges Pompidou , 2001, ISBN: 2-86656-278-X
Lucienne Peiry ; translated by James Frank: Art Brut : the origins of outsider art, Paris : Flammarion , 2006, ISBN: 978-2-0803-0543-5
Rudolf Arnheim, Visual Thinking, Berkeley : University of California Press , 1969, ISBN: 0-520-01871-0
Evaluation methods and criteria
80% attendance, Completion of the Rinbow Exercise
Note
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Schedule for winter semester 2024/2025:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Mon | 15:40–17:15 | Jaroslav BRABEC | Room No. 220 Lažanský palác |
lecture parallel1 |
Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Cinematography_3_2021 (Required subjects)