Pictures 1
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
304EPI1 | credit | 1 | 10 hours (45 min) of instruction per semester, 18 to 23 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Department of Cinematography
Contents
Basic brightness and colour relations scenes
Objective: Transfer the brightness and colour contrast of an object into digital image tonality
Assignment:
1.Grey chart in exposition lighting (entire area of the shot, on which the whole film is based without further editing)
2.Figure (MS)with big source lighting
a)a white figure against white backdrop
b)a black figure against black backdrop
3.Figure (MS)with modulated lighting
a)a white figure against white backdrop
b)a black figure against black backdrop
Technical notes: use the same white and black figure for items 3 + 4 and vary the character of your light.
4.Simple tonal stylization
a)set of objects in local bright tonality (lit as well)
b)set of objects in medium tonality (in respect of brightness as well)
c)set of objects in local dark tonality (dimmed as well)
5.A study of portrait lighting
a)various distinctive light moods (approx. 5 shots in total)
6.An analogy of the real-life light mood created in a studio environment
7.A silhouette of a figure in front of a window
choose the ratio of minimum to maximum brightness in the area so that
the figure plane still has visible tone while the clarity of the areas looked
at through the window has minimum distance from white – all the time maintaining clear information and character of the exterior.
a)a light figure - no grey chart
b)a dark figure - no grey chart
c)replace the figure with a grey chart under identical exposure conditions
Learning outcomes
The aim of this course is to understand the basic luminance and relation scenes
Prerequisites and other requirements
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Literature
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Evaluation methods and criteria
Completion of the exercise:
Photographs of the digital recordings to be handed in by November 15, for further analysis to
be done in the seminar.
NO SEMINAR PAPER WILL BE ACCEPTED AFTER THE DEADLINE
Note
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Schedule for winter semester 2024/2025:
The schedule has not yet been prepared
Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Cinematography_3_2021 (Required subjects)