Montage in Short Films of the Current Cinemascape

Display Schedule

Code Completion Credits Range Language Instruction Semester
306MSC credit 2 3 hours (45 min) of instruction per week, 23 to 33 hours of self-study English winter

Subject guarantor

Name of lecturer(s)

Tomáš DORUŠKA, Marguerite FARAG

Department

Předmět zajišťuje Department of Editing

Contents

Through exposure to a variety of short films, from all around the world, the students will

immerse themselves in the short format. Acquainting themselves with the diversity and the

flexibility of the montage of short films, particularly with ones from recent years. Students will

engage in stimulating discussions on the success or failure of these films based on its ability to

fulfill the director’s intentions and its impact on the audience. The students will also discover the

trends of the industry. Focusing not only on the editing, dramaturgy and the different structures

of films but also on the unique aesthetics and forms used on short film, this will give the students

a holistic approach in understanding the scene. Group presentations, screenings and writing

exercises prepare students to understand the format on a deeper analytical level.

Class 1: 03.10. Festival Circuit

Screening:

Morad Mostafa, 25 min. Egypt 2023

Ann Oren, 12 min. Germany, 2020

Kamal Aljafari, 19min. Germany, 2022

Reading: Valck, Marijke de. “Supporting Art Cinema at a Time of Commercialization: Principles

and Practices, the Case of the International Film Festival Rotterdam.” Poetics (Amsterdam) 42

(2014): 40–59. Web.

→ Announcement and distribution of the presentations

Class 2: 10.10. Dialogue in a Nutshell

Topic: How to “Dialogue”?

Screening:

Fatima Kaci, 30 min. France, 2023

Emil Kascha, 20 min. Austria, 2024

Sarra El Abed, 19 min. Canada, 2020

Reading: Excerpts from Arijon, Daniel. Grammar of the Film Language. Chapter 8: Editing

Patterns for Static Dialogue Scenes. Silman James Press 1976.

Class 3: 17.10. Non-Dialogue-Based Films

Topic: Silence is louder than words. How to engage without verbal communication?

Screening:

Rafael Manuel, 24 min. Philippines, UK, 2020

Evgenia Arbugaeva, Maxim Arbugaev, 25 min. UK, 2022

Michaela Mihalyi, Dávid Štumpf, 13 min. Czechia, 2019

→ Distribution of mini assignment

Class 4: 24.10. Afro-surrealism

Topic: Afro-surrealism manifesto and other examples

Presentation of mini assignments.

Screening:

TBD, 2016-2022

Colin Tilley and The Little Homies, 7min. USA, 2015

Reading: Miller, D. Scot Call it Afro-Surreal The San Fransicso Bay Guardian, 2009. Web

Class 5: 31.10. Mixed Media

Topic: How can the personal be effective? How to mix media to build an emotional arc?

Screening:

Jorge Sánchez Calderón, 33 min. Czechia & Spain, 2020

Thelyia Petraki, 25 min. Greece, 2020

Yasser Azmy, 4 min. Egypt, 2017

Sami AlSalamoni, 5 min. Egypt, 1973

Potential Guest Speaker: Jorge Sánchez Calderón (Director, Editor)

Class 6: 07.11, Mother Trilogy

Topic: Blurring reality in fiction and mammy issues

Screening:

Hoda Taheri, 24 min. 2022

Hoda Taheri, 19 min. 2023

Hoda Taheri & Boris Hadzija, 15 min. 2024

Potential Guest Speakers: Hoda Taheri & Boris Hadzija

Class 7: 14.11. Personal Stories

Topic: Different shades of intimacy

Naomi Kwase, 10 min. Japan, 1995

Z Walsh, Samira Elagoz. 13 min. Finland, 2024

Leila Basma, 19 min. Lebanon, Czechia, 2023

Adi Mishnayot, 30 min. Israel, 2019

Reading: Mishnayot, Adi. (Director of Image of Victory) Interview. Melbourne Documentary

Film Festival. July 2020. Web

Potential Guest Speaker: Leila Basma (Director & Editor)

Class 8: 21.11. Comedy

Topic: Visual vs. Wordy Comedy

Simon Vahlne, 15 min. Sweden, 2023

Ibrahim Handal, 10 min. Palestine, 2023

Xavier Seron, 21 min. Belgium, 2020

Sam Piling, 4 min. USA, 2016

Class 9: 28.11. Queer Films

Topic: Authenticity and creativity in queerness, how to edit tactility?

Screening:

Dima Hamdan, 13 min. Palestine, 2023

David De La Fuente, 5 min. USA, 2022

Tebogo Malebogo, 10 min. South Africa, 2020

Potential Guest Speakers: Tebogo Malebogo (Director) & Petrus van Staden (Editor)

Class 10: 05.12. Poetic Documentary

Topic: How to start with a non-narrative documentary?

Ilir Hasanaj, 19 min. Kosovo, 2024

Samir Karahoda, 14 min. Kosovo, 2019

Laila Pakalnina, 12 min. Latvia, 2020

Poetntial Guest Speaker: Enis Saraçi (Editor)

Class 11 & 12: 12.12 -19.12: Remaining Students’ Presentations

In this class, students who didn’t present yet will have the opportunity to do so

Ressources:

https://www.shortoftheweek.com/

https://www.youtube.com/@Omeleto/

https://www.locarnofestival.ch/media/vod/locarno-shorts-weeks.html

https://www.aflamuna.online/en/

Learning outcomes

Course Expectations:

● Students will research, and analyze the montage of a short film for their presentation.

● Students are expected to actively participate in class discussions and presentations.

● Students are encouraged to show their work in progress to the class for feedback

Outcomes:

● Acquired skills to analyze technically and aesthetically short films.

● Understanding of how short films craft their stories.

● Enhanced critical thinking and visual literacy skills.

● Grasp over the film industry, specifically in the short films’ circuit.

Prerequisites and other requirements

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Literature

Reading assignments will be made available before the class.

Excerpts from: https://leidenshorts.nl/leiden-shorts/rewatch-reread/

Evaluation methods and criteria

Attendance and participation: 40%

Mini Assignment: 10 %

Student Presentation: 50%

==============================

Total: 100%

If a student fails to attend 60% of the classes they will have to submit a 500 word written essay

to be delivered on the final day of classes to marguerite.farag@famu.cz

Please note that changes in the schedule, screenings, or readings are possible.

Note

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Further information

This course is an elective for all students of this school

Schedule for winter semester 2024/2025:

06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Wed
Thu
room 311
Room No. 311

(Lažanský palác)
FARAG M.
17:20–19:45
(lecture parallel1)
Fri
Date Day Time Tutor Location Notes No. of paralel
Thu 17:20–19:45 Marguerite FARAG Room No. 311
Lažanský palác
lecture parallel1

Schedule for summer semester 2024/2025:

The schedule has not yet been prepared

The subject is a part of the following study plans