Bachelor Project 2

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
307EBCA2 credit 4 24 seminar hours (45 min) of instruction per semester, 82 to 102 hours of self-study English

Subject guarantor

Name of lecturer(s)

Department

The subject provides Department of Photography

Contents

The goal of the course is the project realization and work-in-progress presentation of the graduation performance. It includes:

-Reintroduction of project plans and timeline setting

-Development of production strategy and workflow

-Practical realization: image-making / material production

-Ongoing consultations and technical guidance

-Mid-term group critique (work-in-progress)

-Refinement of artistic approach and adjustments

-Exploration of presentation formats (installation, book, digital, etc.)

-Continued production and editing

-Preparation for collective exhibition (concept and logistics)

-Installation planning and spatial considerations

-Collective exhibition setup and presentation

-Final group critique and reflection

Learning outcomes

Students will:

-Gain experience in executing a complex artistic project

-Develop technical and material skills in chosen media

-Learn to adapt concepts through practice and feedback

-Understand exhibition-making and presentation strategies

-Strengthen critical reflection and peer feedback abilities

Prerequisites and other requirements

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Literature

Elkins, James. Why Art Cannot Be Taught: A Handbook for Art Students. Urbana: University of Illinois Press, 2001.

Hetland, Lois et al. Studio Thinking 2: The Real Benefits of Visual Arts Education. New York: Teachers College Press, 2013.

Bayles, David, and Ted Orland. Art & Fear: Observations on the Perils (and Rewards) of Artmaking. Santa Cruz: Image Continuum Press, 1993.

Reiss, Julie H. From Margin to Center: The Spaces of Installation Art. Cambridge, MA: MIT Press, 1999.

Bishop, Claire. Installation Art: A Critical History. London: Tate Publishing, 2005.

Klanten, Robert, and Lukas Feireiss, eds. Spatial Design: The New Wave of Exhibition and Experience Design. Berlin: Gestalten, 2009.

Cotton, Charlotte. The Photograph as Contemporary Art. London: Thames & Hudson, 2020.

Badger, Gerry. The Photobook: A History. London: Phaidon, 2004–2014.

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press, 2002.

Whitechapel Gallery. Documents of Contemporary Art series (multiple volumes)

Evaluation methods and criteria

Continuous assessment of engagement and development process; participation in critiques and consultations; contribution to collective exhibition.

Note

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Further information

No schedule has been prepared for this course

The subject is a part of the following study plans