Documentation, Reproduction, Presentation 1
Code | Completion | Credits | Range | Language Instruction | Semester |
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307EDPP1 | exam | 2 | 26 seminar hours (45 min) of instruction per semester, 31 to 41 hours of self-study | English | winter |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Department of Photography
Contents
Documenting, cataloguing, and disseminating your work are fundamental aspects of developing
a professional artistic practice. While essential for personal development, documentation also
serves broader cultural, historical, and practical purposes. This module will examine different
approaches to documentation, including how context is defined and understood. This module
will be made up of seminars and group discussions, practical tasks, visits to galleries, archives,
and institutions, as well as technical workshops. You will be expected to independently develop
your work, applying strategies and concepts from group activities. Ultimately, you will work
toward implementing these methods in your own developing practice, expanding beyond the
personal to consider wider contexts and applications.
During this module, you will:
● Document exhibitions
● Participate in group tasks and complete individual tasks independently
● Document photo books, in both group and individual tasks
● Experiment with different forms of documentation
● Identify norms and expectations, exploring alternative outcomes
● Visit an archive to uncover the cultural and historical role of documentation.
● Learn about workflow, file management, organisation, and archiving
● Meet with industry professionals to gain insights in real-world contexts
● Consider objects, sculpture, ephemeral practices, virtual/digital work
● Develop presentations of your personal work, delivering them to the class
Learning outcomes
Students will engage in technical workshops, seminars, tutorials, lectures, and independent work and are expected to demonstrate their emerging individual research towards building skills that will inform elements of their practice.
Students are expected to experiment and develop skills to determine which ideas they might further explore and what they can discard.
Failure is an important part of experimentation and students should begin challenging their own preconceived notions about art in order to begin developing their work in a broader context.
Prerequisites and other requirements
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Literature
Exhibition listings - http://artmap.cz
Weekly exhibition listings - http://flashart.cz/
Exhibition listings / Press releases / Installation Views
Exhibition listings / Press releases / Installation Views
https://www.contemporaryartdaily.com/
Exhibition / book reviews and critical writing in photography
October Journal
https://www.jstor.org/journal/october
Galleries
Galerie Jeleni / Cursor Gallery - http://cca.fcca.cz/en/
Display Gallery - http://display.cz/
Entrance Gallery - https://entrancegallery.com/
Etc - https://etcgalerie.cz/cs/
Galerie NoD - https://www.nod.roxy.cz/gallery/about
GHMP - https://www.ghmp.cz/en/
Hunt Kastner - http://huntkastner.com/
Meet Factory - http://www.meetfactory.cz/en/
Viper Gallery - http://www.vipergallery.org/
Svetova 1 - http://www.svetova1.cz/
Berlinksej Model - https://berlinskejmodel.cz/en/
Polansky Gallery - http://polanskygallery.com/
Kunsthalle - https://www.kunsthallepraha.org/
National Gallery - https://www.ngprague.cz/en/exhibitions-and-events
Evaluation methods and criteria
Submissions will take the form of studio presentations in the final week of December, alongside
supplied evidence of completed tasks. Regular completion of on-going work throughout the
semester is required, as well as group participation. Students are required to attend a minimum
of 80% of sessions.
Description Format Evidence
Group work: Evidence of documentation and editing of 2 exhibitions visited as a group, format PDF, Evidence: 12-15 photographs in sequence 2000px, 72dpi
Group work: Documentation of photo book, format PDF, evidence: 12-15 photographs in sequence 2000px, 72dpi
Independent work: Documentation and editing of 1 exhibition applying principles from group
sessions, Format: PDF, Evidence: 12-15 photographs in sequence 2000px, 72dpi
Independent work: Documentation of photo book, applying principles from group sessions
Format: PDF, Evidence: 12-15 photographs in sequence 2000px, 72dpi
Experimentations with form: Identification, development, and execution of personal project
Format: PDF
Studio Presentations, Format: PDF, Evidence: Studio
Note
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Schedule for winter semester 2024/2025:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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Mon | 09:00–12:15 | Martin STECKER | parallel1 |
Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Photography EN - Bachelor - 2022 (Required subjects)