Documentation, Reproduction, Presentation 2
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 307EDPP2 | exam | 2 | 26 seminar hours (45 min) of instruction per semester, 31 to 41 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Department of Photography
Contents
Documenting, cataloguing, and disseminating your work are fundamental aspects of developing a professional artistic practice. While essential for personal development, documentation also serves broader cultural, historical, and practical purposes.
This module will examine different approaches to documentation, including how context is defined and understood. This module will be made up of seminars and group discussions, practical tasks, visits to galleries, archives, and institutions, as well as technical workshops. You will be expected to independently develop your work, applying strategies and concepts from group activities. Ultimately, you will work toward implementing these methods in your own developing practice, expanding beyond the personal to consider wider contexts and applications.
During this module, you will:
● Document exhibitions
● Participate in group tasks and complete individual tasks independently
● Document photo books, in both group and individual tasks
● Experiment with different forms of documentation
● Identify norms and expectations, exploring alternative outcomes
● Visit an archive to uncover the cultural and historical role of documentation.
● Learn about workflow, file management, organisation, and archiving
Learning outcomes
Students will engage in technical workshops, seminars, tutorials, lectures, and independent work and are expected to demonstrate their emerging individual research towards building skills that will inform elements of their practice.
Students are expected to experiment and develop skills to determine which ideas they might further explore and what they can discard.
Failure is an important part of experimentation and students should begin challenging their own preconceived notions about art in order to begin developing their work in a broader context.
Prerequisites and other requirements
At least 80% attendance is required in order to pass this class. During this semester we will work with an archive, learn about archival conventions, we will document a public exhibition, we will talk about editing and presenting your work professionally.
-- 80% attendance required
-- Mandatory presentations will take place in our final session together.
-- Edited documentation work carried out during group sessions, presented in PDF format
Literature
Exhibition listings - http://artmap.cz
Weekly exhibition listings - http://flashart.cz/
Exhibition listings / Press releases / Installation Views
Exhibition listings / Press releases / Installation Views
https://www.contemporaryartdaily.com/
Exhibition / book reviews and critical writing in photography
October Journal
https://www.jstor.org/journal/october
Galleries
Galerie Jeleni / Cursor Gallery - http://cca.fcca.cz/en/
Display Gallery - http://display.cz/
Entrance Gallery - https://entrancegallery.com/
Etc - https://etcgalerie.cz/cs/
Galerie NoD - https://www.nod.roxy.cz/gallery/about
GHMP - https://www.ghmp.cz/en/
Hunt Kastner - http://huntkastner.com/
Meet Factory - http://www.meetfactory.cz/en/
Viper Gallery - http://www.vipergallery.org/
Svetova 1 - http://www.svetova1.cz/
Berlinksej Model - https://berlinskejmodel.cz/en/
Polansky Gallery - http://polanskygallery.com/
Kunsthalle - https://www.kunsthallepraha.org/
National Gallery - https://www.ngprague.cz/en/exhibitions-and-events
Evaluation methods and criteria
Submissions will take the form of studio presentations in the final week together, alongside
supplied evidence of completed tasks. Regular completion of on-going work throughout the
semester is required, as well as group participation. Students are required to attend a minimum
of 80% of sessions.
Description Format Evidence
-- Evidence of documentation and editing of exhibition visited as a group -- format PDF
-- Studio Presentations in final week.
-- 80% class participation
Note
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Schedule for winter semester 2025/2026:
The schedule has not yet been prepared
Schedule for summer semester 2025/2026:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Tue | 14:00–17:15 | Peter John Stuart WATKINS | Tržiště -st. intermedia Tržiště 20, Praha 1 (vchod z Rektorátu AMU, Malostranské nám. 12) |
lecture parallel1 |
The subject is a part of the following study plans
- Photography EN - Bachelor - 2022 (Required subjects)