Preparation for the Artistic Part of the State Exam

Subject is not scheduled Not scheduled

Subject guarantor

Name of lecturer(s)

Contents

Course content:

• To achieve maximum appreciation of the student's artistic development during the presentation of the artistic part in terms of the exhibition's message and technical support.
• Eliminate technological problems during finalization and installation
• Working collectively with the format of a joint exhibition
• Production of the exhibition

Main themes:

Classes will be taught as extended seminars, depending on time, space and scheduling availability, at least 3 times per semester:

1. - 4./

Individual project work within the framework of studio teaching with emphasis on the conceptual development of possible forms of installation

5 - 9/

Implementation plan - sharing experiences, demonstrations of installations, technology solutions

9 - 12/

Joint implementation meeting, combined with exhibition production, installation plan

Learning outcomes

The student receives support and technological guidance in a larger scale exhibition project. A space is created for sharing and exchanging experiences. The student gains experience in preventive measures to eliminate technological and technical problems and, when these occur, learns to work with them to the benefit of their work. Works as part of a team to create a collaborative exhibition format.

Prerequisites and other requirements

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Literature

Required:

Bruce Altshuler, Biennials and Beyond: Exhibitions that Made Art History 1962 - 2002, Phaidon 2013

Elena Filipovic (ed.), The Artist as Curator: An Anthology, Walther König, Köln 2018

Recommended:

To be determined by the nature and character of the exhibition projects and exhibition space

Evaluation methods and criteria

active participation

Note

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Further information

No schedule has been prepared for this course

The subject is a part of the following study plans

• Photography EN - Bachelor - 2022 (required subject)