MgA. Adam BROTHÁNEK
Courses
- 16mm and 35mm Editing Technology (Course guarantor)
- Consulting and second opinion 2 (Course guarantor)
- Editing: Consultation Workshop 1
- Editing cooperation 2
- Editing cooperation 4
- Editing Department Seminar 1
- Editing Department Seminar 3
- Editing Department Seminar 5
- Editing Department Seminar 7
- Editing Department Seminar 9
- Editing Practice: 16mm (Course guarantor)
- Editing Workshop 1
- Editing Workshop 3
- European Editing Masterclass 1
- European Editing Masterclass 2
- European Editing Masterclass 3
- European Editing Masterclass 4
- Montage workshop 1
- Montage workshop 3 (Course guarantor)
- Montage workshop 54 (Course guarantor)
- Professional internship 1 (Course guarantor)
- Studio Editing Assignment - Avid (Course guarantor)
- Work on Assignments in Another Department 1
- Work on Assignments in Another Department 2
- Work on Assignments in Another Department 3
- Work on Assignments in Another Department 4
- Work on Assignments in Another Department 5
Diploma thesis led and defended successfully
- MgA. Tesáček Roman – Manipulácia matérie animácie
- MgA. Elšík Tomáš – Expozice dokumentárního filmu
- BcA. Navrátilová Lucie – Počátky a konce Petera Jacksona
- BcA. Kozáková Tereza – Jump cut, střih poskakující po konvencích kontinuální vazby
- MgA. Kozáková Mariana – Záblesky reality
- BcA. Slimáková Lívia – Skladobná špecifikácia dialógových scén vo filme Komúna od Thomasa Vinterberga
- MgA. Hálová Nicole – Mary Lampson
- MgA. Kozáková Tereza – Film jako fosílie: Poznámky z Eremocénu Viery Čákanyové
- BcA. Kašparová Veronika – Analýza filmu Meshes of the Afternoon podle teorie archetypů Carla Gustava Junga a jeho analytické psychologie
- BcA. Davydova Klára – Zraková laboratoř Jana Evangelisty Purkyně
- MgA. Vrabeľ Lívia – Komparatívna analýza stvárnenia autentickosti hlavnej postavy vo filmoch Thomasa Vinterberga - Hon a Chlast
- Mgr. BcA. Liška Filip – Kdo je Havel? Historická osobnost jako filmová postava