MODULES FAMU
| Code | Course Name | Language Instruction | WINTER SEMESTER | SUMMER SEMESTER | |||||
| Tutor | completion | ECTS | range | completion | ECTS | range | |||
| 307MADP | Adobe Premiere Robert SILVERIO
|
Czech | Register | ||||||
| 311MAP1 | Alternative Perspectives 1 Henry Lyman HILLS
|
English | Z | 2 | 12/S | Register | |||
| 311MAP2 | Alternative Perspectives 2 Henry Lyman HILLS
|
English | Z | 2 | 12/S | Register | |||
| 311MAP3 | Alternative Perspectives 3 Henry Lyman HILLS
|
English | Z | 2 | 12/S | Register | |||
| 311MPC4 | Alternative Perspectives Continued 4 Jitka HEJTMANOVÁ
|
English | Z | 2 | 16/S | Register | |||
| 311MPC5 | Alternative Perspectives Continued 5 Jitka HEJTMANOVÁ
|
English | Z | 2 | 16/S | Register | |||
| 311MPC6 | Alternative Perspectives Continued 6 Henry Lyman HILLS
|
English | Z | 2 | 16/S | Register | |||
| 311MAST | Alternative Storytelling Jitka HEJTMANOVÁ
|
English | Z | 2 | 17/S | Register | |||
| 311MPC7 | Alternative perspectives Continued 7 Jitka HEJTMANOVÁ
|
English | Z | 2 | 16/S | Register | |||
| 311MAA1 | American Avant-Garde 1 Henry Lyman HILLS
|
English | Z | 2 | 12/S | Register | |||
| 311MAA2 | American Avant-Garde 2 Henry Lyman HILLS
|
English | Z | 2 | 12/S | Register | |||
| 311MAA3 | American Avant-Garde 3 Henry Lyman HILLS
|
English | Z | 2 | 12/S | Register | |||
| 309ASG | Analysing and Setting Up Gags Štefan CAPKO
|
Czech | Z | 3 | 3/D | Register | |||
| 309MANM | Anifest Jiří KUBÍČEK
|
Z | 2 | 7/D | Register | ||||
| 300MUKF | Artist career development and fundraising Eric ROSENZVEIG
|
Czech | Z | 2 | 6/S | Register | |||
| 300MASK | Astro Kravín Eric ROSENZVEIG
|
Z | 2 | 3/D | Register | ||||
| 305ZAP | Basic Principles of Copyright Law Petr OSTROUCHOV
|
Czech | Z | 1 | 6/S | Register | |||
| 311MVCF | Basic comparison between the Czech and Western Cinema Jitka HEJTMANOVÁ
|
English | Register | ||||||
| 300MIDS | Building Independent Film Distribution Strategy Jitka HEJTMANOVÁ
|
Z | 2 | 4/S | Register | ||||
| 305MOA1 | Business English for Production 1 Petr SLÁDEČEK
|
Czech | Z | 2 | 10/S | Register | |||
| 305MOA2 | Business English for Production 2 Petr SLÁDEČEK
|
Czech | Z | 2 | 10/S | Register | |||
| 309CHAF | Charaktery v animovaném filmu Štefan CAPKO
|
Czech | Z | 3 | 25/S | Register | |||
| 311CD1 | Cinema Dance 1 Michal BREGANT, Pavel JECH
|
English | Z | 4 | 4/D | Register | |||
| 300MIKI | Cinema imagery Michal BREGANT
|
Czech | Z | 1 | 5/S | Register | |||
| 306MPFC | Cup in Final Cup Tomáš DORUŠKA
|
Czech | Z | 1 | 12/S | Register | |||
| 304MSVH | Czech school of camera Marek JÍCHA
|
Czech | Z | 1 | 6/S | Register | |||
| 304MPJS | Czech school of camera observed by Jiri Simunek Marek JÍCHA
|
Czech | Z | 1 | 6/S | Register | |||
| 373MDII | Dientzenhoferové and modern architecture II Vladimír CZUMALO
|
Czech | Z | 3 | 3/D | Register | |||
| 311MDAC | Directing Actors - Jerry Coyle´ workshop Jitka HEJTMANOVÁ
|
English | Z | 3 | 3/D | Register | |||
| 311MDDE | Drawing Film - Other possibilities for designing and experiencing film Jitka HEJTMANOVÁ
|
English | Register | ||||||
| 305MBUD | EP Budgeting Jiří VLACH
|
Czech | Z | 1 | 6/S | Register | |||
| 305MSCH | EP Scheduling Jiří VLACH
|
Czech | Z | 1 | 6/S | Register | |||
| 302MEFR | Europeen Film Hana JAROŠOVÁ
|
Czech | Register | ||||||
| 307MMRF | Fashion and advertising photography Štěpánka STEIN
|
Czech | Z | 3 | 8/S | Register | |||
| 300MFDR | Festival dramaturgy Pavel JECH
|
Czech | Z | 1 | 3/S | Register | |||
| 300MFKO | Festivalová komunikace 1 a 2 Pavel BOROVAN, Ladislav ŠERÝ
|
Czech | Z | 1 | 1/D | Register | |||
| 300MZCF | Genres in the Czech film 2000 - 2009 Jan BERNARD
|
Czech | Z | 1 | 5/S | Register | |||
| 309GMH | Gesture and Mime Štefan CAPKO
|
Czech | Z | 3 | 3/D | Register | |||
| 308MUHN | How to mix the sound Pavel BUKOVSKÝ, Pavel KOPECKÝ
|
Czech | Z | 1 | 7/S | Register | |||
| 305MJWP | How to present your web Pavel BOROVAN
|
Czech | Z | 1 | 4/S | Register | |||
| 307MDUF | How to work with photography Robert SILVERIO
|
Czech | Z | 2 | 9/S | Register | |||
| 308MZPZ | How to work with sound part if the film Jiří MOUDRÝ
|
Czech | Z | 1 | 8/S | Register | |||
| 306MINS | Inspiration Martin ČIHÁK
|
Czech | Z | 1 | 7/S | Register | |||
| 300MIFM | International Film marketing Pavel MAREK
|
English | Z | 1 | 4/S | Register | |||
| 307MJPW | Joel - Peter Witkin Robert SILVERIO
|
Register | |||||||
| 307MPVT | Last Year Photographic Work Presentation Robert SILVERIO
|
Z | 3 | 4/S | Register | ||||
| 305MDRP | Law of Distribution Pavel BOROVAN
|
Czech | Z | 1 | 4/S | Register | |||
| 306MKPR | Lecture of projection Tomáš DORUŠKA
|
Czech | Z | 1 | 6/S | Register | |||
| 307MLID | Lidice |
Czech | Z | 3 | Subject is not scheduled | ||||
| 300MDNA | Life Signal Processing Eric ROSENZVEIG
|
English | Z | 2 | 3/S | Register | |||
| 300MAYA | MAYA in the production for nonanimators Eric ROSENZVEIG
|
Czech | Z | 2 | 2/D | Register | |||
| 300MSPM | Marcus Bergner working with sound poetry Eric ROSENZVEIG
|
English | Z | 2 | 14/S | Register | |||
| 311MMT | Mark Travis - Director´s Workshop Jitka HEJTMANOVÁ
|
English | Z | 3 | 3/D | Register | |||
| 309HM | Mask Performance Štefan CAPKO
|
Czech | Z | 3 | 3/D | Register | |||
| 300MD1 | Methodology Seminar 1 Vít JANEČEK, Petr KUBICA
|
Czech | ZK | 1 | 6/S | Register | |||
| 300MD2 | Methodology Seminar 2 Ladislav ŠERÝ
|
Czech | ZK | 2 | 6/S | Register | |||
| 308MMSM | Mobile Surround Microphone Pavel BUKOVSKÝ
|
English | Z | 1 | 4 | Register | |||
| 307MMFB | Month of Photography in Bratislava Robert SILVERIO
|
Z | 2 | 2/D | Register | ||||
| 307MTVN | New face of Wenceslas Square Jaroslav BÁRTA
|
Czech | Z | 3 | 5/D | Register | |||
| 306NSFC | Nonlinear Editing / Final Cut |
Czech | Z | 1 | 8/S | Subject is not scheduled | |||
| 300MFVO | Photography - Vizuality - Content Robert SILVERIO
|
Czech | Register | ||||||
| 304MKOB | Picture Compression Jiří MYSLÍK
|
Czech | Z | 1 | 8/S | Register | |||
| 304MOSE | Picture Sensors and Displays Jiří MYSLÍK
|
Czech | Z | 1 | 8/S | Register | |||
| 301MMAP | Place and Story Martin RYŠAVÝ
|
Czech | Z | 2 | 3/D | Register | |||
| 302MPF | Political film from 1950 to 1960 from the point of view of the director Ladislav Helge Hana JAROŠOVÁ
|
Czech | Z | 1 | 5/S | Register | |||
| 311MPIF | Portraiture in Film Jitka HEJTMANOVÁ
|
English | Z | 3 | 24/S | Register | |||
| 303PDF1 | Production of Documentary Films in Europe 1 Ivana MILOŠEVIČ
|
Czech | Z | 2 | 16/S | Register | |||
| 303PDF2 | Produkce dokumentárních filmů v Evropě 2 Ivana PAUEROVÁ MILOŠEVIČOVÁ
|
Czech | Z | 2 | 16/S | Register | |||
| 307MNTM | Reseach of collections of National Technical Museum Štěpánka BORÝSKOVÁ
|
English | Register | ||||||
| 306MSKR | Script Ivo TRAJKOV
|
Czech | Z | 1 | 4/S | Register | |||
| 309MSGPD | Self-promotion and Graphic Promotional Design - What does it mean? Uroš TREFALT
|
Czech | Z | 2 | 16/S | Register | |||
| 305SSD | Seminar on Contemporary Distribution Aleš DANIELIS
|
Czech | Z | 2 | 14/S | Register | |||
| 307MSGR | Serigrafie Jan MĚŘIČKA
|
Czech | Z | 3 | 15/S | Register | |||
| 307EMSP | Spirit of Prague Kateřina KLARICOVÁ
|
English | Z | 3 | 11/S | Register | |||
| 373MPVP | Story in Psychotherapy Jan BERNARD
|
Czech | Z | 2 | 7/S | Register | |||
| 300MTGI | The Godfather I analysis Pavel JECH
|
English | Z | 1 | 15/S | Register | |||
| 311MTOL | The Transmutation of Light Alchemy & Cinema Jitka HEJTMANOVÁ
|
English | Z | 4 | 29/S | Register | |||
| 307MPVK | Working with big size camera Martin STECKER
|
Czech | Z | 1 | 3/D | Register | |||
| 311MWSP | Workshop "Portrait" Jitka HEJTMANOVÁ
|
English | Z | 2 | 4/S | Register | |||