Česká verzeprof. MgA. Karel MAKONJ
- Email:
- karel.makonj@damu.cz
- Courses:
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- Alternative World Theatre in the 20th and 21st Century 1 (Course guarantor)
- Alternative World Theatre in the 20th and 21st Century 2 (Course guarantor)
- Contemporary Forms of Alternative Theatre 1 (Course guarantor)
- Contemporary Forms of Alternative Theatre 2 (Course guarantor)
- Directing 1 (Course guarantor)
- Directing 2 (Course guarantor)
- Directing 3 (Course guarantor)
- Directing 4 (Course guarantor)
- Elements of a Theatre Work 1 (Course guarantor)
- Elements of a Theatre Work 2 (Course guarantor)
- Elements of a Theatre Work 3 (Course guarantor)
- Elements of a Theatre Work 4 (Course guarantor)
- History of Puppet Theatre in Contexts and Developmental Connections 1 (Course guarantor)
- History of Puppet Theatre in Contexts and Developmental Connections 2 (Course guarantor)
- History of Stage Design 1 (Course guarantor)
- History of Stage Design 2 (Course guarantor)
- History of Stage Design 3 (Course guarantor)
- History of Stage Design 4 (Course guarantor)
- Introduction to Aesthetics of the Puppet Theatre 1 (Course guarantor)
- Introduction to Aesthetics of the Puppet Theatre 2 (Course guarantor)
- Master Program Seminar 1 (Course guarantor)
- Master Program Seminar 2 (Course guarantor)
- Modern Theatre and its Double 1 (Course guarantor)
- Modern Theatre and its Double 2 (Course guarantor)
- Modern Theatre and its Double 3 (Course guarantor)
- Modern Theatre and its Double 4 (Course guarantor)
- Optional Subject
- Parallels Between Fine Arts and Theatre 1 (Course guarantor)
- Parallels Between Fine Arts and Theatre 2 (Course guarantor)
- Puppetness and Puppetlikeness 1 (Course guarantor)
- Search for Contexts 1 (Course guarantor)
- Search for Contexts 2 (Course guarantor)
- Search for Contexts 3 (Course guarantor)
- Search for Contexts 4 (Course guarantor)
- Search for Style 1 (Course guarantor)
- Search for Style 2 (Course guarantor)
- Search for Style 3 (Course guarantor)
- Search for Style 4 (Course guarantor)
- Space - Mass - Communication 1 (Course guarantor)
- Space - Mass - Communication 2 (Course guarantor)
- Specifics of the Puppet Theatre 1 (Course guarantor)
- Theory of Drama 1 (Course guarantor)
- Theory of Drama 2 (Course guarantor)
- Work on Performance 1 (Course guarantor)
- Work on Performance 1
- Work on Performance 2 (Course guarantor)
- Work on Performance 2
- Work on Performance 3 (Course guarantor)
- Work on Performance 4 (Course guarantor)
- Work on Performance Practice 1 (Course guarantor)
- Work on Performance Practice 2 (Course guarantor)
- Work on Performance Practice 3 (Course guarantor)
- Work on Performance Practice 4 (Course guarantor)
- Diploma thesis led and defended successfully:
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- MgA. Adámek Jiří Ph.D. – Divadlo jako hudba
- Chvalovský Jiří – Karagöz a Hacivat
- Iurcu Ion – Techniky loutkářských inscenací na přelomu tisíciletí
- Jiráček Václav – Fotbal versus divadlo
- Khomová Veronika – Od Shakespeara ke kašpárkovi
- Nováková Kristýna – Herecká práce ve filmu a v divadle
- Pomoriški Tamara – Inspirační zdroje mé divadelní optiky
- Venclová Miroslava – Divadlo jednoho Edy
- Matějová Kristýna – Stylizované herectví
- BcA. Bayerová Marie – Metoda Jacques Lecoq a Divadelní škola Vendelína Budila
- MgA. Vejražka Jan – Jsem už herec ?
- MgA. Kubák Ivo Kristián – Česká divadelní postmoderna a tvorba Jiřího Havelky
- MgA. Bouzek Lukáš – Skupinová dynamika hereckého kolektivu při tvorbě inscenace
- MgA. Vokůrka Richard – Herec (ne)myslící.
- MgA. Krstić Marija – Principy alternativního divadla v současné praxi profesionálních loutkových divadel v Evropě mimo EU.
- MgA. Spišák Šimon – Kočovné divadlo
- MgA. Vanišová Apolena – Divadelní tvorba v původně nedivadelním prostoru
- MgA. Bednář Michal – Pohyby pochyb
- MgA. Holubář Patrik – Nevědomá inspirace
- MgA. Lesák Jan – Prázdný papír
- MgA. Petrovič Zoran – Spoluutváření divadla
- MgA. Křenková Eliška – Přirozenost civilní a jevištní.
- BcA. Maksymov Jakub – Herec a objekt jako rovnocenní partneři (z pohledu režiséra)