Guitar 8
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
105KYTA8 | exam | 10 | 2 exercise hours (45 min) of instruction per week, 229 to 279 hours of self-study | English, Czech | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides String Instruments Department
Contents
Learning objectives:
In this semester, the teacher approaches the student as an expressive musical personality who has no apparent problems in playing the instrument. The student's own creativity, precise fingering technique, quality of tone and intonation are pushed ever higher with the aim of achieving perfect performance of as many pieces as possible, especially from the repertoire of international competitions. The inclination of some students to interpret works by contemporaries and use experimental instrumental technique is accepted. The course is based on the most demanding requirements for the student's preparation. Compositions are chosen to be as technically and interpretatively challenging as possible. In connection with the choice of repertoire, an interesting thesis topic is also often chosen, which would eruditely complement and develop existing knowledge of the field.
Thematic areas:
- Maximum development and improvement of the student's strengths, especially in the field of tonal culture and his/her own musicality
- The search for new interpretations of modern compositional language in relation to modern techniques of playing musical instruments
- Psychological issues of stage performance, concentration and relaxation
- Study of competition and concert repertoire
- Choosing the topic of the Master´s thesis
Learning outcomes
The student has a comprehensive knowledge of global as well as national repertoire and demonstrates a high level of ability in creating and delivering seamless musical experiences and interpretations.
The student realizes music at a high professional level (technically and interpretatively masterful expression), expressing his/her own artistic concepts at the level of a developed musical personality.
The student possesses sophisticated craft skills in relation to repertoire, style, genre, etc.
The student masters healthy psychological habits, including concentration and relaxation techniques, associated with public performance of music.
The student demonstrates breadth and/or depth of expertise and demonstrates proficiency in a variety of styles and/or has a distinctive and individual expression in one particular style.
Prerequisites and other requirements
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Literature
Instructions for the selection of pieces, their rehearsal and performance will be specified by the teacher with regard to the individual abilities and talents of each student.
Example repertoire:
Selection of etudes by H. Villa-Lobos, M. Zelenka and more technically demanding etudes by A. Barrios, F. Tárrega, M. Giuliani.
Etudes:
LEGNANI, Luigi. 36 Caprices, Op. 20
BOGDANOVIĆ, Dušan. 7 Easier Polymetric Studies, 7 Studies, Lento and Tocatta
Performance Pieces:
DOWLAND, John.
BACH, Johann Sebastian. Suites for Lute, Suites for Cello, Sonatas for Violin
WEISS, Sylvius Leopold. Sonatas and Partitas for Lute
FROBERGER, Johann Jakob. Suites for lute
KELNER, David. Fantasie
TELEMANN, Georg Philipp.
LOSY, Jan Antonín. Suites for lute
SCARLATTI, Domenico. Sonatas
Sonatas:
SOR, Fernando. Grande Sonate Op. 22
GIULIANI, Mauro. Gran Sonata Eroica
DIABELLI, Anton. Sonata in A major
PONCE, Manuel María. Sonata III
TURINA, Joaquín. Sonata for Guitar Op. 61
CASTELNUOVO-TEDESCO, Mario. Sonata 'Hommage à Boccherini' Op. 77
RODRIGO, Joaquín. Sonata Giocosa
MANÉN, Joan. Fantasia - Sonata
BROUWER, Leo. Sonata
GINASTERA, Alberto. Sonata for Guitar Op. 47
BOGDANOVIĆ, Dušan. Jazz Sonata
ANGULO, Eduardo. Sonata No. 2
BÁRTA, Lubor. Sonata
Guitar concertos:
GIULIANI, Mauro. Concerto in A major, Op. 30
CARULLI, Ferdinando. Concerto in E minor, Op. 140
LHOYER, Antoine de. Concerto op. 16
RODRIGO, Joaquín. Concierto de Aranjuez, Fantasia para un gentilhombre
CASTELNUOVO-TEDESCO, Mario. Concerto No. 1 in D major
PONCE, Manuel María. Concierto del sur
VILLA-LOBOS, Heitor. Concerto pour guitare et petit orchestre
BROUWER, Leo. Concierto Elegíaco, Concierto de Volos
PIAZOLLA, Ástor. Double Concerto for Guitar and Bandoneon
TANSMAN, Alexandre. Concertino pour guitare et orchestre
ARNOLD, Malcolm. Concerto Op. 67
OBROVSKA, Jana. Concerto meditativo
Example of repertoire to complete:
Classicism, Romanticism:
SOR, Fernando. Grand Solo Op. 14
GIULIANI, Mauro. Grande Ouverture
AGUADO, Dionisio. Rondo Nos. 1-3 Op. 2
COSTE, Napoléon. Fantaisie Op. 16
LEGNANI, Luigi. Fantasia op. 19
MERTZ, Johann Kaspar. Fantasie Hongroise
MANJÓN, Antonio Jimenez. Aire Vasco
REGONDI, Giulio. Reverie
20th and 21st century:
TÁRREGA, Francisco. Gran Jota
BARRIOS, Agustín. Un Sueño en la Floresta
ALBÉNIZ, Isaac. Suite Española
MORENO-TORROBA, Federico. Pièces Caractéristiques
TURINA, Joaquín. Fandanguillo
MOMPOU, Federico. Suite Compostelana
RODRIGO, Joaquín. Junto al Generalife, Invocación y danza
TANSMAN, Alexandre. Cavatina
CASTELNUOVO-TEDESCO, Mario. 24 Caprichos de Goya - selection
PONCE, Manuel María. Variations sur „Folia de España“ et Fugue
MARTIN, Frank. Quatre pièces brèves
HENZE, Hans Werner. Drei Tentos
ARNOLD, Malcolm. Fantasy Op. 107
WALTON, William. Five Bagatelles
BROUWER, Leo. Variations on a theme of Django Reinhardt
PIAZOLLA, Ástor. Cinco Piezas
HAUG, Hans. Prélude, Tiento et Toccata
D'ANGELO, Nuccio. Due canzoni lidie
TAKEMITSU, Tóru. All in Twilight, In the Woods
BELLINATI, Paulo. Jongo
EBEN, Petr. Tabulatura nova
OBROVSKA, Jana. Japanese Pictures, Homage to Czech Chant
RAK, Štěpán. Voces de Profundis
Further study literature will be specified by the teacher during the semester, based on the student's talents, skills and professional interest, or the teacher's specialisation.
Evaluation methods and criteria
Conditions for attestation: active participation in lessons, playing pre-assigned compositions in front of KSN teachers: 2 etudes, 1-2 movements from a Baroque suite, sonata or partita, 1 piece of virtuoso character or 1 movement from a concerto, performance of an annual recital
Other requirements: minimum 80 % attendance
Note
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Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- String Instruments - Guitar (MA) - from 2023/24 (Required main subjects)
- Guitar (Mg) - from 2022/23 (Required main subjects)